Digital Media World

Cooke Anamorphic/i Special Flares Take the Star Trek Universe Further

Cinematographer Glen Keenan gave Star Trek’s virtual production an anamorphic, special flare treatment to help him convince the audience that the action is occupying a real space.

Cameras

Cooke Anamorphic/i Special Flares Take the Star Trek Universe Further

Training

Join the Eizo Video Creation Roadshow

Eizo is holding a Roadshow for video creators in Sydney, Melbourne and Singapore covering grading, VFX, on-set…

Production

Bild Studios’ MARS Volume and Brompton Make…

Bild’s virtual production facility for film and TV, MARS Volume, gives productions of all budgets greater scope for…

H-Ware

Magewell AES67 Converter Bridges Analogue…

Pro Convert AES67 for multi-format IP audio encoding, decoding and capture supports standards and protocols including…

Post

The Finish Line Adds Colour and Emotion to…

The team at The Finish Line talk about working with video, captured around the world on myriad cameras, in DaVinci…

VFX

Framestore VFX Studio Announces New CEO

Framestore today announces Mel Sullivan as its new CEO as founding member and CEO of 26 years Sir William Sargent steps…

Disrupt

Blackbird hires Sumit Rai as Chief Product…

Blackbird announced the appointment of Sumit Rai as Chief Product Officer. Sumit will join the Company in June 2022…

Storage

Spectra Logic Presents Data Storage Outlook…

Spectra’s new Data Storage Outlook report explores how organisations manage and preserve growing data repositories,…

Disrupt

Telewizja Polsat Selects Leader Test Equipment…

Telewizja Polsat’s new IP-based 4K HDR OB camera truck, conforming to the new SMPTE and AMWA NMOS standards, features…

Broadcast

R&S VENICE and SpycerNode Centralise Operations…

Swiss broadcaster blue upgraded ingest and studio platforms with flexible, scalable R&S VENICE production servers and…

Disrupt

Dejero Video Transport Keeps KALA’s Dynamic…

KALA’s production vehicle is custom-built for dynamic camera motion and moving shots, connected to remote creative…

Post

Charles Bunnag Brings a Fresh Approach to…

Colourist Charles Bunnag talks about his experiences of moving from the world of VFX, to colour grading VFX…

Storage

EditShare EFS and FLOW Keep Retro Report’s…

Retro Report’s new editShare storage and media management supports remote working and direct integration with Adobe…

VFX

ZEISS CinCraft Mapper Delivers Precise Lens…

ZEISS Cinematography introduces the first service of its new CinCraft system for the digital application of lens looks…

Post

The Hardy Boys S2 Gets a New Look on Mistika at…

The finishing team at Eggplant Picture & Sound in Toronto handled the conform, VFX pulls, grade, online and a portion…

Production

EVS Expands Neuron’s Capabilities for Real-Time…

EVS Neuron Network Attached Processor now incorporates two new product lines and several new software capabilities,…

H-Ware

KILOVIEW Develops 4K Bi-Directional NDI…

The new KILOVIEW N60 4K UHD bi-directional converter for HDMI-to-NDI and NDI-to-HDMI conversions integrates both NDI…

Production

Sony’s Crystal LED Virtual Production System…

The Society for Information Display has awarded the Display Application of the Year award to Sony Corp, Sony PCL and…

Broadcast

NewTek Launches Inaugural TriCaster Director of…

NewTek launched the TriCaster Director of the Year Awards seeking entries from creatives, directors and live content…

Post

Colorfront Dailies and Transkoder Gain ACES,…

Colorfront’s dailies and transcoding systems are updated with colour pipeline capabilities and DCP/IMF mastering tools,…

Storage

CMM Adopts Quantum StorNext to Manage…

Castilla–La Mancha Media renewed its growing archive to maintain public access to its cultural media, using Quantum to…

Cameras

Lemac Expands Inventory with FUJINON HK Premier…

Lemac Film and Digital in Sydney, aiming to keep a diverse inventory, purchased two new FUJINON Premier zoom lenses,…

SMPTE’s New IMF App for Broadcast Will Soon Join IMF Family

Post

SMPTE developed an IMF App specifically for the many broadcasters using AVC compression, allowing editorial changes to a program master just before…

APTN Adds Telestream GLIM to Review and QC Workflow for Broadcast

Broadcast

Aboriginal Peoples Television Network adapted to their new remote operations by adopting Telestream’s universal GLIM player to cope with high volume…

NVIDIA Rivermax SDK Uses PHABRIX QxL for Independent Testing and Analysis

Disrupt

NVIDIA’s development team are using the PHABRIX QxL rasterizers in the NVIDIA Rivermax SDK, including NMOS analysis tools and the Extended Ultra High…

'Everest' Returns to Large-Screen Cinemas in a New 16K Restoration

Post

MacGillivrary Freeman Films completed a 16K restoration of classic large-screen documentary ‘Everest’, 25 years after its debut, using MTI Film’s…

FOR-A Delivers 4K Ready System to Citizen TV in Kenya

Broadcast

Citizen TV, one of Kenya’s largest free-to-air television networks, built a new studio for Ramogi TV, a Dholuo language station, based on FOR-A’s…

V-Nova Receives Lumiere Award from The Advanced Imaging Society

Production

V-Nova has been recognised by The Advanced Imaging Society (AIS) Awards Committee for the successful application of its Point Cloud Compression…

FilmLight’s Colour Awards Return for 2022

Post

Nominations are now invited for the FilmLight Colour Awards 2022, to be presented at EnergaCAMERIMAGE in November with a new category for lower…

Blackmagic Launches High Performance Shared Storage Devices for Post Teams

Storage

Blackmagic Design’s three new network cloud storage devices are small, portable and very fast, sharing high resolution digital cinema files without…

Lumen to Deploy Evertz SCORPION to Build Stadium Contribution Network

Broadcast

Lumen Technologies will use Evertz’ SCORPION Smart Media Processing Platform for its contribution network that connects to major stadiums in the US…

Grass Valley Collaborates and Integrates to Open Up GV AMPP

Disrupt

Grass Valley has formed key collaborations and integrated its Agile Media Processing Platform (GV AMPP) with new systems to help companies take…

Colorfront Upgrades Colour-Accurate Live-Streaming for Remote Post

Post

At NAB 2022, Colorfront showed updates to their live-streaming systems supporting remote collaboration between filmmaking teams, and a new gateway…

Fox Sports Heads to FIFA World Cup in Qatar with EVS Live Routing and Control

Production

FOX Sports production team will use EVS’ MediaInfra Strada to carry out core routing and control operations at several large-scale live events,…

Sinclair Uses Vantage Cloud for Enterprise-wide Content Ingest and Prep

Disrupt

Sinclair centralises ingest and processing of content across the enterprise using Telestream Cloud Services, and shares content via Kumulate content…

AJA HELO Plus Brings Graphics Features to Streaming and Recording

H-Ware

AJA’s new HELO Plus H.264 streaming and recording device now includes dual streaming outputs and multi-input processing, SRT support, and graphics…

Pixomondo Opens a VFX Window on the World of ‘Goliath’ S4

In Depth

Pixomondo's Michael Shelton, overall VFX Supervisor and 2nd Unit Director of Amazon’s ‘Goliath’, talks about building an authentic San Francisco and…

Dalet Flex for Teams SaaS Adds Control and Data Accessibility to Media Workflows

Production

Dalet Flex for Teams makes Dalet’s media logistics platform available as a cloud service that simplifies and automates multimedia content libraries,…

Zero Density Launches Real-Time Graphics Learning Portal

Training

Zero Density has launched a new online learning platform for creators of real-time broadcast graphics and virtual sets called Zero Density Academy.

Interra Makes BATON Captions Available As SaaS on Interra Cloud Services

Post

SaaS-based BATON Captions enables captions management in the cloud, increased efficiency and speed, and lower costs. More Interra tools will follow…

Haivision’s Video Networking Supports Eurovision Sport's Live Ski Production

Broadcast

Eurovision deployed Haivision Hub, Makito X and Makito X4 encoders for live production workflows for the 2021/22 ISMF Ski season, with Haivision SRT…

LiveU Automates Live Video Ingest and Metadata Tagging in the Cloud

Disrupt

LiveU’s Ingest, automated recording and story metadata tagging for cloud and hybrid production workflows, helps process video faster by accelerating…

PHABRIX Adds Dolby E/ED2 Decoding and Metadata for Qx/QxL Rasterizers

Broadcast

PHABRIX includes a new Dolby E decoding and metadata analysis option in the most recent release V4.6 of its Qx and QxL Series rasterizers, giving a…