Marcy Robinson, senior colourist at Nice Shoes, graded the documentary drama ‘Reality’ in DaVinci Resolve, bringing nuance and a visual story to its single-room setting.
Adobe integrated generative AI capabilities from Firefly engine into Photoshop as Generative Fill, a rapid, non-destructive approach to adding, extending or removing content from images.
Colourist Jennifer Mendes talks about the world of post in Portugal, making a career change from motion design to colour, and working on some of the country’s top films and TV series.
Alex Gascoigne has spent the past 15 years building a reputation as a highly collaborative, creative colourist with a strong artistic eye and an in-depth technical understanding.
Ireland’s Windmill Lane studio upgraded their Baselight TWO systems, adding FLUX Store networked storage to update workflows, optimise performance and strengthen security.
Marquise Technologies’ image processing software for mastering and QC for Digital Cinema and UHDTV has received major updates including new HDR workflows and MPEG-H audio support.
Sydney’s Studio Goose and NT’s Global Headquarters, using a team dispersed across Australia, delivered a 10-package campaign highlighting the remarkable world of the Northern Territory.
Tim Wreyford talks about shifting his freelance colour grading business to a remote operation using Colorfront Streaming Server Mini on a grading computer and home internet connection.
Flame’s new updates work together to build a centralised hub for conform, timeline, VFX, publishing, colour and delivery with new metadata and collaboration tools for post.
AJA’s v4.2 free firmware for the FS-HDR real-time HDR/WCG converter/frame synchroniser, incorporating Colorfront Engine video processing, introduces the new Colorfront TV Mode.
Resolve 18.5 adds new AI tools and AI audio classification. Speech-to-text automates subtitles and text-based editing; new Cut page menus and USD in Fusion support faster workflows.