Post Production News
Artjail Mixes Up Colour and VFX in the Baselight Grading Suite
Artjail Mixes Up Colour and VFX in the Baselight Grading Suite Samsung Artjail, an independent VFX company, has installed a FilmLight Baselight grading suite in each of its studio locations - one in New York and one in Toronto, which is their newest studio…
October 02, 2019
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Colourist Julien Biard Takes Colour Around the World
Colourist Julien Biard Takes Colour Around the World Hunger (Crowns & Owls) Julien Biard joined the creative studio Carbon VFX in Chicago in July 2018, after polishing his skills at MPC and Finish/Freefolk in London. Julien has collaborated with directors…
September 24, 2019
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Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows
Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows Colorfront has added accelerated 8K functionality and new HDR tools to its software, Transkoder and On-Set/Express Dailies. The 2019 versions of both were shown at IBC 2019 and are…
September 22, 2019
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EditShare and Helmut Extend Automation and Control for Premiere Pro Workflows
EditShare and Helmut Extend Automation and Control for Premiere Pro Workflows EditShare, networked shared storage specialist, and Helmut, a video management software developer for Adobe users, have been working together to integrate their software in order to…
August 25, 2019
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Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour
Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour Post production of the second season of HBO’s drama series ‘Big Little Lies’ was completed at Technicolor in Los Angeles. The studio’s finishing artist and Vice President of business…
August 12, 2019
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Jérôme Cloutier Captures Filmmakers’ Vision in Colour
Jérôme Cloutier Captures Filmmakers’ Vision in Colour Matthias and Maxime Jérôme Cloutier is a Canadian colourist working at MELS production, post and distribution facility in Montréal. He started his career as a Flame artist working in advertising before…
August 07, 2019
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The Look Upgrades for the Future of Post with Grass Valley Rio 8K Pipeline
The Look Upgrades for the Future of Post with Grass Valley Rio 8K Pipeline Thomas Urbye, CEO and senior colourist, The Look The Look post production studio in London has upgraded its facilities after winning contracts to handle post production for several…
July 22, 2019
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BBC Street and Youngster Modernise Colour with New Baselight Workflows
BBC Street and Youngster Modernise Colour with New Baselight Workflows Commercial work at Youngster Two post production facilities in the UK, BBC Street and Youngster have incorporated the FilmLight BLG file, developed for users of Baselight grading software,…
July 18, 2019
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MTI Film Develops a New Tool to Assist Dolby Vision HDR Packaging
MTI Film Develops a New Tool to Assist Dolby Vision HDR Packaging MTI Film has just been awarded a US Patent for its Graphical Editing Solution for HDR Metadata. The software tool is a simple way to ensure that HDR metadata is properly aligned with associated…
July 15, 2019
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Light Iron Powers New OTT Workflows with Creativity and Collaboration
Light Iron Powers New OTT Workflows with Creativity and Collaboration ‘The Marvelous Mrs Maisel’ Light Iron dailies, DI and data services has been making an impact on the looks and production and post workflows of many of the best-known episodic series now…
July 13, 2019
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Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise
Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise Arte Video, a video services company located near Venice, Italy, is taking measures within its studio to manage the complexity and challenges many media facilities now face as they try to…
July 10, 2019
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Cannes Prize Winners Get the Look with FilmLight Grading and Finishing
Cannes Prize Winners Get the Look with FilmLight Grading and Finishing 'Atlantique' Two of the top prizes at this year’s Cannes Film Festival were won by movies that were finished using FilmLight colour science to help give them distinctive looks. ‘Parasite’…
June 23, 2019
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DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood
DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood 2.0 Colourist Sam Chynoweth joined the London colour team at Technicolor in July 2018. Before that, he had been working in his native Australia on several feature film projects and gaining particular…
Mistika Workflows Automates Media Processing for Smarter QC and Delivery
Jun 14, 2019
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Mistika Workflows Automates Media Processing for Smarter QC and Delivery To help users…
Finishing Captain Marvel - from VFX to Colour to Deliverables
Jun 11, 2019
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Finishing Captain Marvel - from VFX to Colour to Deliverables Recent superhero movie…
Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour
May 27, 2019
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Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour 'Africa - A…
Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History
May 21, 2019
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Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History TBS SPARKLE in…
Kyle Stroebel Brings the Colours of South Africa to the World
May 13, 2019
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Kyle Stroebel Brings the Colours of South Africa to the World Kyle Stroebel is a…
'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve
May 05, 2019
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'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve Director Tim Burton,…
CineCert, Marquise and Venera Create and QC DCP/IMF Packages in a Single Workflow
Apr 25, 2019
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CineCert, Marquise and Venera Create and QC DCP/IMF Packages in a Single Workflow…
EditShare QScan Updates Simplify IMF and Dolby HDR Compliance
Apr 22, 2019
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EditShare QScan Updates Simplify IMF and Dolby HDR Compliance QScan Dolby Vision monitor…
AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support
Apr 18, 2019
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AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support Colorfront Engine Film Mode LOOK…
Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019
Apr 17, 2019
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Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019 Colorfront Transkoder 2019…
FilmLight at NAB: Control and Consistency in Finishing and Delivery
Apr 06, 2019
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FilmLight at NAB: Control and Consistency in Finishing and Delivery According to…
The Mill Merges VFX and Colour with FilmLight BLG for Flame
Mar 25, 2019
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The Mill Merges VFX and Colour with FilmLight BLG for Flame The Mill VFX and content…
