Post

Leostream and CineSys Enable Hybrid Post at Republic Creative Studios

Republic studios deployed Leostream’s Remote Desktop Access Platform as a remote technical infrastructure supporting high-performance workloads for grading, sound design and finishing.

Post

Leostream and CineSys Enable Hybrid Post at Republic Creative Studios

Post

Light Iron Chooses Nara to Unify Media Access, Streaming and Indexing

Light Iron uses Nara for file navigation, content streaming and information sharing through a single, secure interface to help them collaborate efficiently and speed up workflows.

Post

Aidan Stanford Brings Colour to 'Interior Chinatown' in DaVinci Resolve Studio

Colourist Aidan Stanford at ArsenalFX Color created and managed a complex grade with distinct looks, transitions and effects in Davinci Resolve to follow the series’ multiple storylines.

Post

Molinare’s Ross Baker Brings a Love of Colour to Television and Film

Ross Baker, senior colourist and head of grading at Molinare in London, talks about building his career from telecine departments to running a team working across multiple genres.

Post

ORION-CONVERT Pipeline and AJA ColorBox Simplify Colour for Live Productions

Cromorama’s ORION-CONVERT Pipeline for colour management and QC helps live video producers control looks and manage a diverse range of HDR and SDR cameras and equipment.

Post

Molinare Welcomes Carlotta Rio to its Colourist Team

Carlotta Rio joins Molinare as Senior Colourist, bringing extensive experience across high-end documentary and episodic scripted projects.

Post

Deidre McClelland Finishes and Grades Memoir of a Snail in DaVinci Resolve

Deidre McClelland, CSI, worked with animator Adam Elliot in Resolve Studio to produce the deliverables and develop looks capturing the distinctive world of this unusual story.

Post

Harbor Expands with Dedicated Dailies Facility at Shepperton Studios

Harbor has opened a new dedicated dailies facility at Shepperton Studios, purpose-built with a HDR grading and screening room, furthering its capabilities in post-services.

Light Iron Senior Colorist ANDREW GEARY 02

Post

Light Iron Welcomes Andrew Geary as Senior Colourist

Light Iron announces that Andrew Geary has joined the company as Senior Colourist, further strengthening the company's top-level team of final colourists.

Post

Framefloor Builds Creative Post Workflows on AJA Gear

Framefloor’s team uses AJA’s Io 4K Plus hardware to ingest, work with and output a huge range of formats over 12G-SDI and HDMI for their corporate, film, sports and broadcast clients.

Post

DaVinci Resolve and Fusion 19.1 Update Multi-cam, Audio and VFX Workflows

DaVinci Resolve and Fusion Studio 19.1 include features to speed up and improve control over post workflows with better object mask caching, Fusion titles and simpler audio adjustments.

Post

Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

Colourist Claudio Del Bravo talks about growing his career, building a studio in Rome from the ground up, and creating looks for projects from commercials, indie films and TV to feature films.

Post

Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

Colourist Natalia Raguseo talks about the tools she used in Resolve to build the look from the natural lighting and landscapes recorded on location, working with the director and DP.