Post Production News
DaVinci Resolve Races through the Decades for ‘Ford vs Ferrari’
DaVinci Resolve Races through the Decades for ‘Ford vs Ferrari’ The movie ‘Ford vs Ferrari’ is about American car designer Carroll Shelby and English test driver Ken Miles as they work to build an extremely fast, robust sports car for Ford Motor Company in…
January 20, 2020
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Elite Media Perfects Colour and Mastering on Sony BVM-HX310 Monitor
Elite Media Perfects Colour and Mastering on Sony BVM-HX310 Monitor Elite Media Technologies is a post-production facility in California handling a complete range of post production services. Their work includes HDR and SDR colour grading at all resolutions,…
January 16, 2020
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FilmLight Baselight Ups the Ante for ‘Uncut Gems’ at The Mill NY
FilmLight Baselight Ups the Ante for ‘Uncut Gems’ at The Mill NY A recent film post-production project to come out of The Mill NY is ‘Uncut Gems’, a movie made by directors the Safdie Brothers. The movie is the story of a charismatic jeweller and gambler New…
January 09, 2020
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DaVinci Resolve Studio Brings Live Action Manga Series to Small Screens
DaVinci Resolve Studio Brings Live Action Manga Series to Small Screens ‘Eren the Southpaw’ is a live action TV drama series adapted from a manga series created by writer Kappy and illustrator Nifuni, broadcast on Mainichi Broadcasting System and Tokyo…
January 04, 2020
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Nick Dalby at UNIT Studios Tells Stories in Music and Colour
Nick Dalby at UNIT Studios Tells Stories in Music and Colour Colourist Nick Dalby works at UNIT Studios in central London, where produces striking looks and styles on a Baselight system for advertising clients, short films, music promos and long-form…
December 23, 2019
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Julien von Schultzendorff Pushes Colour Boundaries at nhb studios
Julien von Schultzendorff Pushes Colour Boundaries at nhb studios Julien von Schultzendorff is a colourist at nhb studios in Germany, which operates from grading facilities in Hamburg, Berlin, Düsseldorf and Munich. Julien has now been with nhb for five years…
December 14, 2019
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Colorfront Express Dailies 2020 Subscription and New Mac Pro Lower Costs On-Set
Colorfront Express Dailies 2020 Subscription and New Mac Pro Lower Costs On-Set Colorfront has announced a new annual subscription for Colorfront Express Dailies that reduces the cost of using the software. Launching in early 2020, users can rent Express…
December 12, 2019
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CHEAT Gears Up for HDR and Dolby Vision with Resolve R&D Workflow
CHEAT Gears Up for HDR and Dolby Vision with Resolve R&D Workflow As HDR and Dolby Vision projects begin to come their way, CHEAT colour grading and finishing studio in London has added a new HDR-ready grading suite and a research and development lab to their…
December 09, 2019
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FilmLight Puts Colour On Stage for Post Production Artists
FilmLight Puts Colour On Stage for Post Production Artists At a live event in Amsterdam in September called Colour On Stage, recorded from IBC2019, FilmLight's lead developer Marty Tlaskal demonstrated and talked through some of the functions most recently…
December 09, 2019
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DaVinci Resolve Studio Defines Looks and Matches Locations for ‘Rom’
DaVinci Resolve Studio Defines Looks and Matches Locations for ‘Rom’ A new film directed by Tran Thanh Huy titled ‘Rom’ became the first Vietnamese feature film to be awarded the top prize at the Busan International Film Festival (BIFF). ‘Rom’ is concerned…
November 22, 2019
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Pigmento Takes on DaVinci Resolve Studio for IMF and HDR Delivery
Pigmento Takes on DaVinci Resolve Studio for IMF and HDR Delivery Pigmento colour grading and post house in Madrid has begun to take on more work in HDR colour correction and IMF format delivery. Founded by Fernando Martinez and Pepe Abellàn, colourists who…
November 22, 2019
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Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’
Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’ 'Gemini Man' was shot and finished natively in 3D stereo at 120 fps using specially modified ARRI Alexa SXT-M cameras capturing 3.2K video. These specifications resulted in a huge amount…
November 14, 2019
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ftrack Acquires cineSync Developer Cospective
ftrack Acquires cineSync Developer Cospective The developers of ftrack production tracking and media review software has acquired Cospective, creator of the Academy Award and Emmy-winning synchronized remote review tool, cineSync. ftrack and Cospective have…
Andy Elliott Colours True Stories at Directors Cut Films
Nov 05, 2019
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Andy Elliott Colours True Stories at Directors Cut Films 'The Runaways' Andy Elliott is…
Boris FX Continuum 2020 Expands Looks and FX Workflows for Artists and Editors
Oct 30, 2019
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Boris FX Continuum 2020 Expands Looks and FX Workflows for Artists and Editors Boris FX…
Dalet Equips AmberFin for Dolby Vision and Hardware Acceleration
Oct 29, 2019
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Dalet Equips AmberFin for Dolby Vision and Hardware Acceleration The Dalet AmberFin…
Colourist Lucie Barbier-Dearnley Joins Sim in New York
Oct 25, 2019
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Colourist Lucie Barbier-Dearnley Joins Sim in New York Continuing to build the pool of…
Chimney Collaborates with Zombies and Artists in Real Time via Resolve Studio
Oct 23, 2019
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Chimney Collaborates with Zombies and Artists in Real Time via Resolve Studio Chimney…
Marquise Upgrades IMF Mastering for HDR and Immersive Audio
Oct 20, 2019
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Marquise Upgrades IMF Mastering for HDR and Immersive Audio Marquise Technologies’ MIST…
Artjail Mixes Up Colour and VFX in the Baselight Grading Suite
Oct 12, 2019
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Artjail Mixes Up Colour and VFX in the Baselight Grading Suite Samsung Artjail, an…
Colourist Julien Biard Takes Colour Around the World
Oct 02, 2019
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Colourist Julien Biard Takes Colour Around the World Hunger (Crowns & Owls) Julien Biard…
Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows
Sep 24, 2019
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Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows Colorfront…
EditShare and Helmut Extend Automation and Control for Premiere Pro Workflows
Sep 22, 2019
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EditShare and Helmut Extend Automation and Control for Premiere Pro Workflows EditShare,…
Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour
Aug 25, 2019
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Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour Post production…
Jérôme Cloutier Captures Filmmakers’ Vision in Colour
Aug 12, 2019
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Jérôme Cloutier Captures Filmmakers’ Vision in Colour Matthias and Maxime Jérôme Cloutier…
