Post Production News
Pigmento Takes on DaVinci Resolve Studio for IMF and HDR Delivery
Pigmento Takes on DaVinci Resolve Studio for IMF and HDR Delivery Pigmento colour grading and post house in Madrid has begun to take on more work in HDR colour correction and IMF format delivery. Founded by Fernando Martinez and Pepe Abellàn, colourists who…
November 22, 2019
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Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’
Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’ 'Gemini Man' was shot and finished natively in 3D stereo at 120 fps using specially modified ARRI Alexa SXT-M cameras capturing 3.2K video. These specifications resulted in a huge amount…
November 14, 2019
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ftrack Acquires cineSync Developer Cospective
ftrack Acquires cineSync Developer Cospective The developers of ftrack production tracking and media review software has acquired Cospective, creator of the Academy Award and Emmy-winning synchronized remote review tool, cineSync. ftrack and Cospective have…
November 05, 2019
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Andy Elliott Colours True Stories at Directors Cut Films
Andy Elliott Colours True Stories at Directors Cut Films 'The Runaways' Andy Elliott is one of the founders of Directors Cut Films in London, as well as its Senior Colourist. Most of the studio’s work is long-form television but, with a flexible team on…
October 30, 2019
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Boris FX Continuum 2020 Expands Looks and FX Workflows for Artists and Editors
Boris FX Continuum 2020 Expands Looks and FX Workflows for Artists and Editors Boris FX Continuum 2020 plugin collection now has several new workflows for film and television editors and artists, including a screen replacement technique called Corner Pin…
October 29, 2019
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Dalet Equips AmberFin for Dolby Vision and Hardware Acceleration
Dalet Equips AmberFin for Dolby Vision and Hardware Acceleration The Dalet AmberFin software-based transcoding asset management system is updated to include support for the Dolby Vision HDR format within its video processing workflows. Developed for media…
October 25, 2019
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Colourist Lucie Barbier-Dearnley Joins Sim in New York
Colourist Lucie Barbier-Dearnley Joins Sim in New York Continuing to build the pool of talent at its post-production facility in New York, Sim has hired Lucie Barbier-Dearnley as senior colourist. Lucie arrives from Company 3, London, and brings experience…
October 23, 2019
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Chimney Collaborates with Zombies and Artists in Real Time via Resolve Studio
Chimney Collaborates with Zombies and Artists in Real Time via Resolve Studio Chimney Group creative agency has headquarters in Sweden and handles brand marketing, advertising and entertainment content. As global media producers, their teams work on strategy…
October 20, 2019
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Marquise Upgrades IMF Mastering for HDR and Immersive Audio
Marquise Upgrades IMF Mastering for HDR and Immersive Audio Marquise Technologies’ MIST v5.0 mastering system and QC player ICE v3.5 have been upgraded with a new image processing pipeline, and integrate the Dolby Atmos Renderer for immersive audio. MIST and…
October 12, 2019
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Artjail Mixes Up Colour and VFX in the Baselight Grading Suite
Artjail Mixes Up Colour and VFX in the Baselight Grading Suite Samsung Artjail, an independent VFX company, has installed a FilmLight Baselight grading suite in each of its studio locations - one in New York and one in Toronto, which is their newest studio…
October 02, 2019
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Colourist Julien Biard Takes Colour Around the World
Colourist Julien Biard Takes Colour Around the World Hunger (Crowns & Owls) Julien Biard joined the creative studio Carbon VFX in Chicago in July 2018, after polishing his skills at MPC and Finish/Freefolk in London. Julien has collaborated with directors…
September 24, 2019
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Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows
Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows Colorfront has added accelerated 8K functionality and new HDR tools to its software, Transkoder and On-Set/Express Dailies. The 2019 versions of both were shown at IBC 2019 and are…
September 22, 2019
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EditShare and Helmut Extend Automation and Control for Premiere Pro Workflows
EditShare and Helmut Extend Automation and Control for Premiere Pro Workflows EditShare, networked shared storage specialist, and Helmut, a video management software developer for Adobe users, have been working together to integrate their software in order to…
Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour
Aug 25, 2019
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Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour Post production…
Jérôme Cloutier Captures Filmmakers’ Vision in Colour
Aug 12, 2019
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Jérôme Cloutier Captures Filmmakers’ Vision in Colour Matthias and Maxime Jérôme Cloutier…
The Look Upgrades for the Future of Post with Grass Valley Rio 8K Pipeline
Aug 07, 2019
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The Look Upgrades for the Future of Post with Grass Valley Rio 8K Pipeline Thomas Urbye,…
BBC Street and Youngster Modernise Colour with New Baselight Workflows
Jul 22, 2019
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BBC Street and Youngster Modernise Colour with New Baselight Workflows Commercial work at…
MTI Film Develops a New Tool to Assist Dolby Vision HDR Packaging
Jul 18, 2019
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MTI Film Develops a New Tool to Assist Dolby Vision HDR Packaging MTI Film has just been…
Light Iron Powers New OTT Workflows with Creativity and Collaboration
Jul 15, 2019
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Light Iron Powers New OTT Workflows with Creativity and Collaboration ‘The Marvelous Mrs…
Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise
Jul 13, 2019
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Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise Arte Video, a video…
Cannes Prize Winners Get the Look with FilmLight Grading and Finishing
Jul 10, 2019
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Cannes Prize Winners Get the Look with FilmLight Grading and Finishing 'Atlantique' Two…
DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood
Jun 23, 2019
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DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood 2.0 Colourist Sam Chynoweth…
Mistika Workflows Automates Media Processing for Smarter QC and Delivery
Jun 14, 2019
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Mistika Workflows Automates Media Processing for Smarter QC and Delivery To help users…
Finishing Captain Marvel - from VFX to Colour to Deliverables
Jun 11, 2019
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Finishing Captain Marvel - from VFX to Colour to Deliverables Recent superhero movie…
Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour
May 27, 2019
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Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour 'Africa - A…
