Post Production News
Mistika Workflows Automates Media Processing for Smarter QC and Delivery
Mistika Workflows helps content facilities automate their media management, transcoding and delivery workflows to meet the demand for new and multiple delivery standards.
June 11, 2019
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Finishing Captain Marvel - from VFX to Colour to Deliverables
Finishing Captain Marvel - from VFX to Colour to Deliverables Recent superhero movie ‘Captain Marvel’ was finished at Technicolor in Los Angeles, where colourist Doug Delaney led the team. He was a good match for the project, which he describes as “a huge…
May 27, 2019
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Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour
Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour 'Africa - A Journey into Music' Adam Dolniak has been working at Splice post production in London since 2007, when he started as an online editor. Now, as Head of Picture, he is also a…
May 21, 2019
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Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History
Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History TBS SPARKLE in Tokyo has undertaken the digitisation of an impressive quantity of 16mm footage dating from 1955 to the 1980s, representing more than 3,000 Japanese films, documentaries and…
May 13, 2019
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Kyle Stroebel Brings the Colours of South Africa to the World
Kyle Stroebel Brings the Colours of South Africa to the World Kyle Stroebel is a colourist at Refinery post studio in Cape Town, South Africa. His most recent project was an independent South African film called ‘Flatland’, directed by a local filmmaker Jenna…
May 05, 2019
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'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve
'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve Director Tim Burton, director of photography Ben Davis BSC, VFX supervisor Richard Stammers from MPC and DI Colourist Adam Glasman decided early on, before the shoot, that producing the story of…
April 25, 2019
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CineCert, Marquise and Venera Create and QC DCP/IMF Packages in a Single Workflow
CineCert, Marquise and Venera Create and QC DCP/IMF Packages in a Single Workflow Marquise Technologies MIST CineCert, Marquise Technologies and Venera Technologies have collaborated to develop a ready-to-use, integrated system able to natively read, author,…
April 22, 2019
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EditShare QScan Updates Simplify IMF and Dolby HDR Compliance
EditShare QScan Updates Simplify IMF and Dolby HDR Compliance QScan Dolby Vision monitor EditShare’s automated quality control (AQC) application Qscan now has two new facilities for compliance testing of media prior to delivery – an IMF dashboard that…
April 18, 2019
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AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support
AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support Colorfront Engine Film Mode LOOK selection Users of the AJA FS-HDR real-time HDR/WCG converter and frame synchroniser will soon have v3.0 firmware that improves the device’s colouring tools and support…
April 17, 2019
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Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019
Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019 Colorfront Transkoder 2019 Colorfront showed new 8K HDR capabilities and updates across its product lines at NAB, and started a new collaboration with Pomfort to bring more efficient colour and HDR…
April 06, 2019
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FilmLight at NAB: Control and Consistency in Finishing and Delivery
FilmLight at NAB: Control and Consistency in Finishing and Delivery According to FilmLight, the colour grading suite is rapidly becoming the hub for finishing many movies, premium TV programming and commercials. To help fit the potentially time-consuming…
March 25, 2019
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The Mill Merges VFX and Colour with FilmLight BLG for Flame
The Mill Merges VFX and Colour with FilmLight BLG for Flame The Mill VFX and content creation studio has recently changed their post production workflow for commercials to speed up collaboration between VFX artists and colourists. Traditionally, the visual…
March 18, 2019
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Jin Young Park Builds a Cold World of Colour for 'The Fortress'
Jin Young Park Builds a Cold World of Colour for 'The Fortress' Jin Young Park is one of South Korea’s top colourists, who has known she wanted to become a colourist since she was a student at art school. “Many of my friends and colleagues were working in the…
DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite
Mar 15, 2019
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DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite IMAGICA’s DaVinci…
Ka-boom Colours Period Dramas with Modern Baselight Workflows
Feb 25, 2019
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Ka-boom Colours Period Dramas with Modern Baselight Workflows Ka-boom post studio in…
Nevion Virtuoso Keeps Colours True for Remote Grading at a52 Color
Feb 13, 2019
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Nevion Virtuoso Keeps Colours True for Remote Grading at a52 Color First Bank commercial,…
nhb studios Get on Track with NIM for Creative Commercials
Feb 05, 2019
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nhb studios Get on Track with NIM for Creative Commercials Volkswagen - Kinderträume nhb…
EditShare QScan 3.3 Automates QC with Better Visibility, More Speed
Jan 30, 2019
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EditShare QScan 3.3 Automates QC with Better Visibility, More Speed EditShare’s automated…
ArsenalFX Color Optimises HDR Deliverables with AJA HDR Image Analyzer
Jan 29, 2019
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ArsenalFX Color Optimises HDR Deliverables with AJA HDR Analyzer ArsenalFX Color in Santa…
Company 3 Welcomes Steven J Scott and Expands in Hollywood
Jan 26, 2019
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Company 3 Welcomes Steven J Scott and Expands in Hollywood Company 3 is completing work…
Mystery Box Refines HDR Production and Post with AJA HDR Image Analyzer
Dec 29, 2018
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Mystery Box Refines HDR Production and Post with AJA HDR Image Analyzer AJA HDR Image…
FilmLight's Scanner Prototype Takes a First Step for 'First Man'
Dec 12, 2018
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FilmLight's Scanner Prototype Takes a First Step for 'First Man' The movie 'First Man'…
ENVY Post Builds Mastering Workflows on Telestream Vantage
Dec 10, 2018
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ENVY Post Builds Mastering Workflows on Telestream Vantage Grading on Baselight 2 Based…
Videohouse Brings Subtitles in Line with PBT EU SubtitleNEXT
Nov 28, 2018
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Videohouse Brings Subtitles in Line with PBT EU SubtitleNEXT Videohouse, operating for…
Simon Astbury Makes the Grade at Digital Domain
Nov 05, 2018
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Simon Astbury Makes the Grade at Digital Domain After making false a start in the music…
