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Post Production News

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Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour

Post for HBO’s ‘Big Little Lies’ Season 2 was completed at Technicolor LA, where colourist Pankaj Bajpai used Baselight’s colour and contrast tools to enhance the show’s Californian look.
August 12, 2019
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Post Editor

Jérôme Cloutier Captures Filmmakers’ Vision in Colour

Jérôme Cloutier Captures Filmmakers’ Vision in Colour Matthias and Maxime Jérôme Cloutier is a Canadian colourist working at MELS production, post and distribution facility in Montréal. He started his career as a Flame artist working in advertising before…
August 07, 2019
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Post Editor

The Look Upgrades for the Future of Post with Grass Valley Rio 8K Pipeline

The Look Upgrades for the Future of Post with Grass Valley Rio 8K Pipeline Thomas Urbye, CEO and senior colourist, The Look The Look post production studio in London has upgraded its facilities after winning contracts to handle post production for several…
July 22, 2019
FilmLight Youngster
Post Editor

BBC Street and Youngster Modernise Colour with New Baselight Workflows

BBC Street and Youngster Modernise Colour with New Baselight Workflows Commercial work at Youngster Two post production facilities in the UK, BBC Street and Youngster have incorporated the FilmLight BLG file, developed for users of Baselight grading software,…
July 18, 2019
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Post Editor

MTI Film Develops a New Tool to Assist Dolby Vision HDR Packaging

MTI Film Develops a New Tool to Assist Dolby Vision HDR Packaging MTI Film has just been awarded a US Patent for its Graphical Editing Solution for HDR Metadata. The software tool is a simple way to ensure that HDR metadata is properly aligned with associated…
July 15, 2019
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Post Editor

Light Iron Powers New OTT Workflows with Creativity and Collaboration

Light Iron Powers New OTT Workflows with Creativity and Collaboration ‘The Marvelous Mrs Maisel’ Light Iron dailies, DI and data services has been making an impact on the looks and production and post workflows of many of the best-known episodic series now…
July 13, 2019
Marquise
Post Editor

Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise

Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise Arte Video, a video services company located near Venice, Italy, is taking measures within its studio to manage the complexity and challenges many media facilities now face as they try to…
July 10, 2019
Filmlight atlantique
Post Editor

Cannes Prize Winners Get the Look with FilmLight Grading and Finishing

Cannes Prize Winners Get the Look with FilmLight Grading and Finishing 'Atlantique' Two of the top prizes at this year’s Cannes Film Festival were won by movies that were finished using FilmLight colour science to help give them distinctive looks. ‘Parasite’…
June 23, 2019
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Post Editor

DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood

DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood 2.0 Colourist Sam Chynoweth joined the London colour team at Technicolor in July 2018. Before that, he had been working in his native Australia on several feature film projects and gaining particular…
June 14, 2019
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Post Editor

Mistika Workflows Automates Media Processing for Smarter QC and Delivery

Mistika Workflows Automates Media Processing for Smarter QC and Delivery To help users handle demands for new and multiple delivery standards, due partly to the growing number of on-demand video providers, SGO has developed a media management, transcoding and…
June 11, 2019
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Post Editor

Finishing Captain Marvel - from VFX to Colour to Deliverables

Finishing Captain Marvel - from VFX to Colour to Deliverables Recent superhero movie ‘Captain Marvel’ was finished at Technicolor in Los Angeles, where colourist Doug Delaney led the team. He was a good match for the project, which he describes as “a huge…
May 27, 2019
FilmLight adam dolniak Africa Music
Post Editor

Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour

Adam Dolniak Mixes Up Technical with Creative for Finishing and Colour 'Africa - A Journey into Music' Adam Dolniak has been working at Splice post production in London since 2007, when he started as an online editor. Now, as Head of Picture, he is also a…
May 21, 2019
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Post Editor

Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History

Blackmagic Cintel Helps TBS SPARKLE Archive Japan’s Broadcast History TBS SPARKLE in Tokyo has undertaken the digitisation of an impressive quantity of 16mm footage dating from 1955 to the 1980s, representing more than 3,000 Japanese films, documentaries and…

Kyle Stroebel Brings the Colours of South Africa to the World

May 13, 2019 1228
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Kyle Stroebel Brings the Colours of South Africa to the World Kyle Stroebel is a…

'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

May 05, 2019 862
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'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve Director Tim Burton,…

CineCert, Marquise and Venera Create and QC DCP/IMF Packages in a Single Workflow

Apr 25, 2019 559
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CineCert, Marquise and Venera Create and QC DCP/IMF Packages in a Single Workflow…

EditShare QScan Updates Simplify IMF and Dolby HDR Compliance

Apr 22, 2019 714
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EditShare QScan Updates Simplify IMF and Dolby HDR Compliance QScan Dolby Vision monitor…

AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support

Apr 18, 2019 708
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AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support Colorfront Engine Film Mode LOOK…

Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019

Apr 17, 2019 722
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Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019 Colorfront Transkoder 2019…

FilmLight at NAB: Control and Consistency in Finishing and Delivery

Apr 06, 2019 847
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FilmLight at NAB: Control and Consistency in Finishing and Delivery According to…

The Mill Merges VFX and Colour with FilmLight BLG for Flame

Mar 25, 2019 1019
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The Mill Merges VFX and Colour with FilmLight BLG for Flame The Mill VFX and content…

Jin Young Park Builds a Cold World of Colour for 'The Fortress'

Mar 18, 2019 946
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Jin Young Park Builds a Cold World of Colour for 'The Fortress' Jin Young Park is one of…

DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite

Mar 15, 2019 799
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DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite IMAGICA’s DaVinci…

Ka-boom Colours Period Dramas with Modern Baselight Workflows

Feb 25, 2019 733
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Ka-boom Colours Period Dramas with Modern Baselight Workflows Ka-boom post studio in…

Nevion Virtuoso Keeps Colours True for Remote Grading at a52 Color

Feb 13, 2019 976
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Nevion Virtuoso Keeps Colours True for Remote Grading at a52 Color First Bank commercial,…