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The Finish Line Adds Colour and Emotion to Worldwide Motorcycle Treks

The team at The Finish Line talk about working with video, captured around the world on myriad cameras, in DaVinci Resolve using tools from Colour Management to Fusion to lighting FX.

May 14, 2022

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Charles Bunnag Brings a Fresh Approach to Colour at Light Iron

Colourist Charles Bunnag talks about his experiences of moving from the world of VFX, to colour grading VFX blockbusters, and shares ideas on what makes an ideal image.

May 10, 2022

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The Hardy Boys S2 Gets a New Look on Mistika at Eggplant Picture & Sound

The finishing team at Eggplant Picture & Sound in Toronto handled the conform, VFX pulls, grade, online and a portion of compositing for the new series, working remotely on Mistika.

May 09, 2022

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Colorfront Dailies and Transkoder Gain ACES, Dolby, Apple M1, Frame.io Support

Colorfront’s dailies and transcoding systems are updated with colour pipeline capabilities and DCP/IMF mastering tools, plus a new integration with Frame.io’s Camera to Cloud workflow.

May 06, 2022

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SMPTE’s New IMF App for Broadcast Will Soon Join IMF Family

SMPTE developed an IMF App specifically for the many broadcasters using AVC compression, allowing editorial changes to a program master just before playout without re-rendering or QC.

May 04, 2022

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'Everest' Returns to Large-Screen Cinemas in a New 16K Restoration

MacGillivrary Freeman Films completed a 16K restoration of classic large-screen documentary ‘Everest’, 25 years after its debut, using MTI Film’s digital restoration software DRS NOVA.

May 03, 2022

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FilmLight’s Colour Awards Return for 2022

Nominations are now invited for the FilmLight Colour Awards 2022, to be presented at EnergaCAMERIMAGE in November with a new category for lower budget, independent features.

May 02, 2022

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Colorfront Upgrades Colour-Accurate Live-Streaming for Remote Post

At NAB 2022, Colorfront showed updates to their live-streaming systems supporting remote collaboration between filmmaking teams, and a new gateway for predictable streaming traffic.

April 25, 2022

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Interra Makes BATON Captions Available As SaaS on Interra Cloud Services

SaaS-based BATON Captions enables captions management in the cloud, increased efficiency and speed, and lower costs. More Interra tools will follow as SaaS-based options.

April 21, 2022

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DaVinci Resolve 18 Hosts Projects in the Cloud, Adds Proxy Workflow

Blackmagic DaVinci Resolve 18 has cloud support for remote collaboration, a native proxy workflow, new effects with GPU acceleration and audio project conversion to Fairlight FlexBus.

April 18, 2022

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Autodesk’s Flame and Maya Help Post and VFX Teams Make the Leap to Virtual

Autodesk’s software is now in use in virtual workflows on AWS Cloud, including Flame applications. BREAK+ENTER completed feature film VFX with Maya in a full virtual workflow.

April 18, 2022

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DaVinci Resolve Studio Gives 'On My Mind’ a Look to Earn Oscar Nomination

Short film 'On My Mind’ was limited by COVID, budget and time, but editor Thomas Engell’s skills in VFX, grading and audio in DaVinci Resolve meant this short film was an Oscar nominee.

April 18, 2022

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