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Post Production News

Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

Colourist Tashi Trieu combined his understanding of VFX, motion picture imaging, colour science and digital post workflows with grading skills to give the new Avatar film its special look

January 26, 2023

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Digital Film Technology Appoints Gunter Weidlich as Managing Director

DFT film scanning developers has a new Managing Director Gunter Weidlich, formerly a founding DFT MD involved in developing the Spirit Classic, Spirit 4K and Scanity.

January 21, 2023

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ARC EDIT and ARC FILM Stay on the Edge with Post and Mastering Workflows

ARC’s Joseph Perkins talks about what it takes to keep producers, artists and technicians working under optimal conditions – from Avid suites through colour, VFX and mastering.

January 18, 2023

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ETC Adopts FilmLight FLUX Store for Flexible Post Storage Management

Electric Theatre Collective chose FLUX Store to support its move into longform post with adaptable, efficient storage that can store and manage more data, and hold onto it for longer.

January 16, 2023

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Award-Winning Colourist Natasha Leonnet Joins Picture Shop

Picture Shop announced that artist Natasha Leonnet, HPA Award winner for her contribution to ‘Spider-Man: Into the Spider-Verse’, has joined its talent roster as a senior colourist.

January 16, 2023

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PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers

PHABRIX’s new waveform instrumentation for Qx and QxL rasterizers delivers fine detail for camera shading or grading but keeps the flexibility of real-time operation and format support.

January 05, 2023

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Aljoscha Hoffmann Tells the Story in Colour for ‘Dear Mr Führer’

Colourist Aljoscha Hoffmann talks about recreating a historic film look in Baselight with DoP Tim Kuhn for this award-winning movie for children about a young boy living through World War II.

December 22, 2022

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John Daro Masters the Power of Colour from Science to Storytelling

John Daro, Lead DI colourist at Warner Bros, talks about how his mastery over colour transforms, and use of colour to communicate a narrative, bring filmmakers’ visions to life.

December 21, 2022

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AJA Diskover Simplifies Data Processing, Search and Storage at IDC

IDC develops automated data processing workflows aligned with today’s remote operations, security issues and media file sizes, using AJA Diskover Media Edition to find and access files.

December 12, 2022

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Cinemateca Boliviana Restores Historical Cinema with Blackmagic Cintel Scanner

Cinemateca Boliviana uses the Cintel scanner to restore film content that otherwise would be impossible to preserve. Cintel Scanner G3 HDR+ is now available for real-time UHD HDR scans.

December 10, 2022

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Colorfront Supports AWS CDI to Build Live Cloud-Based Video Workflows

Colorfront Streaming Server now supports AWS Cloud Digital Interface networking, opening opportunities for collaborative, cloud-based content creation and review over the internet.

November 23, 2022

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Sydney Colourist Takes ‘Heartbreak High’ Back to School on DaVinci Resolve

Colourist Fergus Rotherham used DaVinci Resolve Studio and DaVinci Resolve Advanced Panel to grade the new 4K HDR series of ‘Heartbreak High’, giving the classic show a modern image.

November 13, 2022

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