Post Production News

Avid Editing and Storage Bring ENVY’s Post-Production Workflows Up to Speed

ENVY’s five London studios now run on Avid Media Composer | Enterprise editing software and NEXIS F-Series storage engines, supporting remote collaboration and scaling on demand.

December 05, 2023

Post Editor

Award-winning Colourist Walter Volpatto Moves to Picture Shop

Senior Colourist Walter Volpatto joins Picture Shop’s roster, well known for his work on Oscar-winning films from ‘Star Wars: Episode VIII - The Last Jedi’ to Christopher Nolan’s ‘Dunkirk’.

December 05, 2023

Post Editor

MTI Film Welcomes Brian Gaffney as VP of Product for Software Division

MTI Film, a leading provider of post-production and restoration services, announces the appointment of Brian Gaffney as VP of Product for the company's Software Division.

December 05, 2023

Post Editor

Mark Mulcaster Colours the Fighter’s Life for Documentary Series ‘Hatton’

Colourist Mark Mulcaster at Sky Post Production worked on Baselight to bring together archival and modern purpose-shot 4K footage for this emotive documentary on fighter Ricky Hatton.

November 21, 2023

Post Editor

Cinnafilm and Perifery Partner to Enhance Media Conversion Workflows

Cinnafilm’s and Perifery’s new partnership makes Perifery’s object storage systems Object Matrix and Swarm available alongside Cinnafilm’s media transformation platform, PixelStrings.

November 21, 2023

Post Editor

Picture Shop Welcomes Senior Colourist Tim Stipan

Picture Shop announced that Senior Colourist Tim Stipan has joined its growing global roster of premier talent, bringing experience from Company 3, EFILM and Technicolor.

November 20, 2023

Post Editor

DaVinci Resolve Studio Gives ‘Twisted Metal’ a Dangerous Look at Light Iron

Light Iron’s colourist Charles Bunnag graded this dramatisation of the Twisted Metal video game in Resolve with a high contrast, saturated look to focus on characters and world building.

November 17, 2023

Post Editor

DigitalFilm Tree Uses Signiant Fast File Transfer to Keep Ahead in TV Series Post

DigitalFilm Tree chooses Signiant Media Shuttle for remote workflows for faster transfers, its level of security and performance, and the ability to brand user-access portals.

November 14, 2023

Post Editor

JAMM Adds Top Colourists Beau Leon and Jess Jinx to the Team

JAMM visual effects and colour studio announces their collaboration with colourist Beau Leon, and welcomes emerging colourist Jess Jinx to their growing staff.

November 14, 2023

Post Editor

Sebastian Göhs Meets the Challenge of Fantasy for Amazon Series ‘The Gryphon’

Sebastian Gohs talks about his start in colour grading, working as a freelancer, recent work on Amazon TV series ‘The Gryphon’ and learning to make the most of Baselight’s grading system.

November 07, 2023

Post Editor

Nick Platt Named Senior Vice President of Picture Shop in UK

Picture Shop, Streamland Media’s picture division, announced Nick Platt has been named senior vice president in the UK.

November 06, 2023

Post Editor

Eric Weidt Defines the Colour of ‘The Killer’

Colourist Eric Weidt talks about working with Director David Fincher and DP Erik Messerschmidt to create looks in Baselight for the three locations in a dark story of murder and revenge.

October 31, 2023

Post Editor

Signiant Recognised with Trusted Partner Network App and Cloud ‘Gold Shield’

Signiant joins the Trusted Partner Network after successfully completing a TPN App and Cloud Gold Shield assessment to help counter ongoing security threats and keep content secure.

PHABRIX and Leader Devices Support Live UHD/HDR Production at TVN

Oct 30, 2023 1252

TVN LIVE PRODUCTION mobile TV services acquired a large fleet of PHABRIX and Leader’s…

Colourist Luke Morrison Takes Colour a Step Beyond for FilmLight Colour Awards

Oct 30, 2023 942

Colourist Luke Morrison from Electric Theatre Collective talks about his career so far,…

Adobe Integrates New Firefly Generative AI Models into Creative Workflows

Oct 19, 2023 1712

Adobe Firefly generative AI models and features are impacting artists’ creativity and use…

PostHero Builds Remote Post System on Blackmagic Cloud Store

Oct 16, 2023 1810

PostHero is a remote post workflow service that combines Blackmagic network storage…

Bull Inc Builds New 4K60P Workflow on Blackmagic Hardware and Resolve’s AI

Oct 10, 2023 1752

Bull Inc. in Tokyo underwent a full post production system update to accommodate 4K60P…

Company 3’s Dave Hussey Opens Up on the FilmLight Colour Awards

Oct 10, 2023 1751

Dave Hussey, senior colourist at Company 3, talks about the role of colour in TV and film…

Harbor Aquires CHEAT in London For Advertising Colour Grading

Oct 02, 2023 1874

Harbor acquired CHEAT colour and finishing studio to enhance its position in London and…

alter ego Opens Up in Santa Monica with New Baselight Suites

Oct 02, 2023 1568

Post facility alter ego has a new LA studio, expanding their team beyond the company’s HQ…

Marquise Updates QC, Mastering and Processing for HDR and NGA Content

Sep 29, 2023 1556

Marquise QC Player ICE Studio is upgraded for in-depth assessment of HDR and NGA masters…

Colorfront Demos New Streaming, Transkoder, Dolby Vision and AI Tools at IBC

Sep 19, 2023 2060

Colorfront held demos showing cloud-based video processing live-streamed in real time…

FilmLight Baselight 6.0 Modernises Timeline and Look Development for Colourists

Sep 01, 2023 2459

FilmLight’s upcoming Baselight 6.0, now in beta, has an updated timeline, the X Grade…

Colourist Paul Ensby on Growing Up in Colour

Aug 21, 2023 1954

Colourist Paul Ensby from Picture Shop talks about his roots in a family of colourists,…

'Moon Garden’ Returns to Reality Using Cintel Scanner and DaVinci Resolve Studio

Aug 14, 2023 1728

Fantasy film ‘Moon Garden’ was shot on expired 35mm filmstocks, transferred using the…

Adobe Adds Generative Workflow and Language Support for Firefly in Photoshop

Jul 28, 2023 2040

Photoshop’s Generative AI tools now include a new Generative Expand workflow that expands…

Molinare Creative Group Expands with Four New Brands

Jul 21, 2023 2228

Molinare TV & Film are forming new group in line with their expansion and diversification…

FilmLight’s 2023 Colour Awards Put Colourists Under the Spotlight

Jul 18, 2023 1638

The FilmLight Colour Awards ensure that the work of colourists is recognised and…

Wade Odlum and alter ego Devote Skills and Passion to Colour Post Production

Jul 14, 2023 1999

Colourist Wade Odlum talks about colour grading as a means of visual storytelling, and…

SpinVFX and Company 3 Use DaVinci Resolve to Keep George Foreman in the Ring

Jul 07, 2023 1584

VFX supervisor Andrew McPhillips at SpinVFX and colourist Siggy Ferstl at Company 3 talk…

Cluster Studio Launches New Post Services with Baselight and FLUX Store Upgrade

Jul 07, 2023 1941

Cluster Studio post facility upgraded its FilmLight Baselight grading systems and…

DaVinci Resolve Preserves Looks, Sound, Motion for 'Bad Like Brooklyn Dancehall'

Jun 20, 2023 1721

Using Resolve as post production system from the beginning allowed the filmmakers to…

Adobe Express Now Includes Firefly Generative AI and Real-Time Collaboration

Jun 11, 2023 2983

The new Adobe Express beta now incorporates Adobe’s Firefly generative AI models in its…

Marcy Robinson Tells Reality’s Story in Colour on DaVinci Resolve

Jun 04, 2023 1382

Marcy Robinson, senior colourist at Nice Shoes, graded the documentary drama ‘Reality’ in…

Adobe Photoshop Integrates Generative AI to Support Design Workflows

May 29, 2023 2623

Adobe integrated generative AI capabilities from Firefly engine into Photoshop as…

Jennifer Mendes Takes a Chance on Colour at Loudness Films

May 29, 2023 1804

Colourist Jennifer Mendes talks about the world of post in Portugal, making a career…

Alex Gascoigne Joins Harbor UK as Senior Colourist

May 22, 2023 1349

Alex Gascoigne has spent the past 15 years building a reputation as a highly…

FilmLight FLUX Store Tunes Up Windmill Lane’s Colour Pipeline and Network

May 22, 2023 1100

Ireland’s Windmill Lane studio upgraded their Baselight TWO systems, adding FLUX Store…

Marquise Technologies Advances HDR Workflows and MPEG-H Audio Content

May 15, 2023 1412

Marquise Technologies’ image processing software for mastering and QC for Digital Cinema…

Studio Goose Brings Outback Campaign to the Screen via Blackmagic Cloud

May 11, 2023 1180

Sydney’s Studio Goose and NT’s Global Headquarters, using a team dispersed across…

Tim Wreyford Builds Remote Grading Workflows on Colorfront Streaming

May 10, 2023 1588

Tim Wreyford talks about shifting his freelance colour grading business to a remote…

Creative Directors Nate Cali and Alex Candlish Join Harbor

May 08, 2023 2167

Harbor has hired editor Nate Cali and creative director and on-set VFX supervisor Alex…

Jay Walker Joins Impossible Objects for US Representation

May 08, 2023 1142

Creative lab Impossible Objects has signed short film, music video, and commercial…

Autodesk Flame Centralises Cloud-Enabled Finishing and VFX Workflows

May 07, 2023 1352

Flame’s new updates work together to build a centralised hub for conform, timeline, VFX,…

AJA Updates FS-HDR with New Colorfront Engine TV Mode Colour Science

May 01, 2023 1039

AJA’s v4.2 free firmware for the FS-HDR real-time HDR/WCG converter/frame synchroniser,…

Blackmagic Resolve 18.5 Gathers Speed with AI, Speech-to-Text and Automation

May 01, 2023 2334

Resolve 18.5 adds new AI tools and AI audio classification. Speech-to-text automates…

FilmLight Opens Entries for 2023 FilmLight Colour Awards

Apr 27, 2023 1178

FilmLight will open entries for the 2023 FilmLight Colour Awards on 1 May 2023, to be…

Raúl Lavado on Dedicating a Career to Colour, Art and Technology

Apr 26, 2023 2076

Colourist Raúl Lavado Verdú talks about becoming a colourist, why he likes grading on the…

Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

Apr 22, 2023 2585

At NAB 2023 Colorfront demonstrated new capabilities for streaming and working remotely…

Adobe Premiere Pro and After Effects Gain Speed and Intelligence for Video Post

Apr 15, 2023 1479

Adobe’s Creative Cloud applications, showing at NAB 2023, focus on AI-powered text-based…

Sohonet Acquires 5th Kind to Create a Remote Workflow Collaboration Hub

Mar 27, 2023 1611

Sohonet’s real-time cloud media network combined with 5th Kind’s near-time dailies review…

Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’ 

Mar 20, 2023 1858

Adam Dolniak, a Baselight colourist experienced in live action work, here talks about his…

DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience

Mar 13, 2023 1634

‘Kantara’ draws India’s vibrant cinematic style to international attention, using colour…

Time in Pixels and AJA Push Ahead with Video Analysis for Post

Mar 06, 2023 1565

Time in Pixels and AJA are working on software products that help filmmakers, colourists…

Damien Vandercruyssen Defines the Colour of Dreams for 'Bardo'

Mar 06, 2023 1649

Colourist Damien Vandercruyssen at Harbor in LA worked on Baselight with cinematographer…

Heckler Introduces a New VFX Supervisor, Two Studios and a New Website

Feb 27, 2023 1702

Heckler post-production studio in Sydney reveal their new VFX Supervisor Julian Ford in a…

InSync Enhances FrameFormer Conversion Quality and Viewer Experience

Feb 26, 2023 1579

FrameFormer now achieves higher real time conversion quality using CPU only, while…

Union VFX Moves its CG Pipeline to USD Format

Feb 13, 2023 1952

VFX studio Union has made a significant investment in their facility’s CG department with…

Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

Feb 13, 2023 2373

ENVY's new division called CAPTURE specialises in remote post workflows, delivering…

The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’

Feb 12, 2023 2177

Finishing Artists Zeb Chadfield and Steve Alexander at The Finish Line set up a…

Racoon Adds Baselight TWO, Blackboard and a new Senior Colourist to the Team

Feb 10, 2023 2294

With senior colourist Enge Gray now on their staff and a number of UHD/HDR projects…

HIT Productions Deploys Flexible Dante AV Throughout New Post Studio

Jan 29, 2023 1571

HIT Productions implemented Dante AV video system to transport all audio and video…

Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

Jan 26, 2023 1670

Colourist Tashi Trieu combined his understanding of VFX, motion picture imaging, colour…

Digital Film Technology Appoints Gunter Weidlich as Managing Director

Jan 26, 2023 1441

DFT film scanning developers has a new Managing Director Gunter Weidlich, formerly a…

ARC EDIT and ARC FILM Stay on the Edge with Post and Mastering Workflows

Jan 21, 2023 2013

ARC’s Joseph Perkins talks about what it takes to keep producers, artists and technicians…

ETC Adopts FilmLight FLUX Store for Flexible Post Storage Management

Jan 18, 2023 1367

Electric Theatre Collective chose FLUX Store to support its move into longform post with…

Award-Winning Colourist Natasha Leonnet Joins Picture Shop

Jan 16, 2023 1248

Picture Shop announced that artist Natasha Leonnet, HPA Award winner for her contribution…

PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers

Jan 16, 2023 1658

PHABRIX’s new waveform instrumentation for Qx and QxL rasterizers delivers fine detail…

Aljoscha Hoffmann Tells the Story in Colour for ‘Dear Mr Führer’

Jan 05, 2023 1966

Colourist Aljoscha Hoffmann talks about recreating a historic film look in Baselight with…

John Daro Masters the Power of Colour from Science to Storytelling

Dec 22, 2022 2115

John Daro, Lead DI colourist at Warner Bros, talks about how his mastery over colour…

AJA Diskover Simplifies Data Processing, Search and Storage at IDC

Dec 21, 2022 1578

IDC develops automated data processing workflows aligned with today’s remote operations,…

Cinemateca Boliviana Restores Historical Cinema with Blackmagic Cintel Scanner

Dec 12, 2022 1585

Cinemateca Boliviana uses the Cintel scanner to restore film content that otherwise would…

1. Avid Editing and Storage Bring ENVY’s Post-Production Workflows Up to Speed
2. Award-winning Colourist Walter Volpatto Moves to Picture Shop
3. MTI Film Welcomes Brian Gaffney as VP of Product for Software Division
4. Mark Mulcaster Colours the Fighter’s Life for Documentary Series ‘Hatton’
5. Cinnafilm and Perifery Partner to Enhance Media Conversion Workflows
6. Picture Shop Welcomes Senior Colourist Tim Stipan
7. DaVinci Resolve Studio Gives ‘Twisted Metal’ a Dangerous Look at Light Iron
8. DigitalFilm Tree Uses Signiant Fast File Transfer to Keep Ahead in TV Series Post
9. JAMM Adds Top Colourists Beau Leon and Jess Jinx to the Team
10. Sebastian Göhs Meets the Challenge of Fantasy for Amazon Series ‘The Gryphon’

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