Marcy Robinson Tells Reality’s Story in Colour on DaVinci Resolve
Marcy Robinson, senior colourist at Nice Shoes, graded the documentary drama ‘Reality’ in DaVinci Resolve, bringing nuance and a visual story to its single-room setting.
Post Production News
May 29, 2023
Post
Adobe Photoshop Integrates Generative AI to Support Design Workflows
Adobe integrated generative AI capabilities from Firefly engine into Photoshop as Generative Fill, a rapid, non-destructive approach to adding, extending or removing content from images.
May 29, 2023
Post
Jennifer Mendes Takes a Chance on Colour at Loudness Films
Colourist Jennifer Mendes talks about the world of post in Portugal, making a career change from motion design to colour, and working on some of the country’s top films and TV series.
May 22, 2023
Post
Alex Gascoigne Joins Harbor UK as Senior Colourist
Alex Gascoigne has spent the past 15 years building a reputation as a highly collaborative, creative colourist with a strong artistic eye and an in-depth technical understanding.
May 22, 2023
Post
FilmLight FLUX Store Tunes Up Windmill Lane’s Colour Pipeline and Network
Ireland’s Windmill Lane studio upgraded their Baselight TWO systems, adding FLUX Store networked storage to update workflows, optimise performance and strengthen security.
May 15, 2023
Post
Marquise Technologies Advances HDR Workflows and MPEG-H Audio Content
Marquise Technologies’ image processing software for mastering and QC for Digital Cinema and UHDTV has received major updates including new HDR workflows and MPEG-H audio support.
May 11, 2023
Post
Studio Goose Brings Outback Campaign to the Screen via Blackmagic Cloud
Sydney’s Studio Goose and NT’s Global Headquarters, using a team dispersed across Australia, delivered a 10-package campaign highlighting the remarkable world of the Northern Territory.
May 10, 2023
Post
Tim Wreyford Builds Remote Grading Workflows on Colorfront Streaming
Tim Wreyford talks about shifting his freelance colour grading business to a remote operation using Colorfront Streaming Server Mini on a grading computer and home internet connection.
May 08, 2023
Post
Creative Directors Nate Cali and Alex Candlish Join Harbor
Harbor has hired editor Nate Cali and creative director and on-set VFX supervisor Alex Candlish as new creative directors at their Los Angeles studio.
May 08, 2023
Post
Jay Walker Joins Impossible Objects for US Representation
Creative lab Impossible Objects has signed short film, music video, and commercial director Jay Walker to its roster of talent.
May 07, 2023
Post
Autodesk Flame Centralises Cloud-Enabled Finishing and VFX Workflows
Flame’s new updates work together to build a centralised hub for conform, timeline, VFX, publishing, colour and delivery with new metadata and collaboration tools for post.
May 01, 2023
Post
AJA Updates FS-HDR with New Colorfront Engine TV Mode Colour Science
AJA’s v4.2 free firmware for the FS-HDR real-time HDR/WCG converter/frame synchroniser, incorporating Colorfront Engine video processing, introduces the new Colorfront TV Mode.
May 01, 2023
Post
Blackmagic Resolve 18.5 Gathers Speed with AI, Speech-to-Text and Automation
Resolve 18.5 adds new AI tools and AI audio classification. Speech-to-text automates subtitles and text-based editing; new Cut page menus and USD in Fusion support faster workflows.
FilmLight Opens Entries for 2023 FilmLight Colour Awards
Apr 27, 2023
693
FilmLight will open entries for the 2023 FilmLight Colour Awards on 1 May 2023, to be…
Raúl Lavado on Dedicating a Career to Colour, Art and Technology
Apr 26, 2023
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Colourist Raúl Lavado Verdú talks about becoming a colourist, why he likes grading on the…
Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows
Apr 22, 2023
1994
At NAB 2023 Colorfront demonstrated new capabilities for streaming and working remotely…
Adobe Premiere Pro and After Effects Gain Speed and Intelligence for Video Post
Apr 15, 2023
937
Adobe’s Creative Cloud applications, showing at NAB 2023, focus on AI-powered text-based…
Sohonet Acquires 5th Kind to Create a Remote Workflow Collaboration Hub
Mar 27, 2023
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Sohonet’s real-time cloud media network combined with 5th Kind’s near-time dailies review…
Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’
Mar 20, 2023
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Adam Dolniak, a Baselight colourist experienced in live action work, here talks about his…
DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience
Mar 13, 2023
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‘Kantara’ draws India’s vibrant cinematic style to international attention, using colour…
Time in Pixels and AJA Push Ahead with Video Analysis for Post
Mar 06, 2023
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Time in Pixels and AJA are working on software products that help filmmakers, colourists…
Damien Vandercruyssen Defines the Colour of Dreams for 'Bardo'
Mar 06, 2023
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Colourist Damien Vandercruyssen at Harbor in LA worked on Baselight with cinematographer…
Heckler Introduces a New VFX Supervisor, Two Studios and a New Website
Feb 27, 2023
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Heckler post-production studio in Sydney reveal their new VFX Supervisor Julian Ford in a…
InSync Enhances FrameFormer Conversion Quality and Viewer Experience
Feb 26, 2023
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FrameFormer now achieves higher real time conversion quality using CPU only, while…
Union VFX Moves its CG Pipeline to USD Format
Feb 13, 2023
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VFX studio Union has made a significant investment in their facility’s CG department with…
Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service
Feb 13, 2023
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ENVY's new division called CAPTURE specialises in remote post workflows, delivering…
The Finish Line Completes UHD / HDR Picture Post for ‘I Am a Killer’
Feb 12, 2023
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Finishing Artists Zeb Chadfield and Steve Alexander at The Finish Line set up a…
Racoon Adds Baselight TWO, Blackboard and a new Senior Colourist to the Team
Feb 10, 2023
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With senior colourist Enge Gray now on their staff and a number of UHD/HDR projects…
HIT Productions Deploys Flexible Dante AV Throughout New Post Studio
Jan 29, 2023
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HIT Productions implemented Dante AV video system to transport all audio and video…
Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’
Jan 26, 2023
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Colourist Tashi Trieu combined his understanding of VFX, motion picture imaging, colour…
Digital Film Technology Appoints Gunter Weidlich as Managing Director
Jan 26, 2023
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DFT film scanning developers has a new Managing Director Gunter Weidlich, formerly a…
ARC EDIT and ARC FILM Stay on the Edge with Post and Mastering Workflows
Jan 21, 2023
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ARC’s Joseph Perkins talks about what it takes to keep producers, artists and technicians…
ETC Adopts FilmLight FLUX Store for Flexible Post Storage Management
Jan 18, 2023
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Electric Theatre Collective chose FLUX Store to support its move into longform post with…
Award-Winning Colourist Natasha Leonnet Joins Picture Shop
Jan 16, 2023
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Picture Shop announced that artist Natasha Leonnet, HPA Award winner for her contribution…
PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers
Jan 16, 2023
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PHABRIX’s new waveform instrumentation for Qx and QxL rasterizers delivers fine detail…
Aljoscha Hoffmann Tells the Story in Colour for ‘Dear Mr Führer’
Jan 05, 2023
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Colourist Aljoscha Hoffmann talks about recreating a historic film look in Baselight with…
John Daro Masters the Power of Colour from Science to Storytelling
Dec 22, 2022
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John Daro, Lead DI colourist at Warner Bros, talks about how his mastery over colour…
AJA Diskover Simplifies Data Processing, Search and Storage at IDC
Dec 21, 2022
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IDC develops automated data processing workflows aligned with today’s remote operations,…
Cinemateca Boliviana Restores Historical Cinema with Blackmagic Cintel Scanner
Dec 12, 2022
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Cinemateca Boliviana uses the Cintel scanner to restore film content that otherwise would…
Colorfront Supports AWS CDI to Build Live Cloud-Based Video Workflows
Dec 10, 2022
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Colorfront Streaming Server now supports AWS Cloud Digital Interface networking, opening…
Sydney Colourist Takes ‘Heartbreak High’ Back to School on DaVinci Resolve
Nov 23, 2022
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Colourist Fergus Rotherham used DaVinci Resolve Studio and DaVinci Resolve Advanced Panel…
DaVinci Resolve 18.1 Upgrades Social Media Output, Audio and Smart Tools
Nov 13, 2022
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DaVinci Resolve 18.1 has vertical resolutions for social media and DaVinci Neural Engine…
Mistika Workflows Updates Metadata and Automation with New Smart Features
Oct 31, 2022
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SGO’s Mistika Workflows for media management, transcoding and delivery now has smart…
Marquise Technologies ICE Prime Player Supports SMPTE VC-6 for Post and QC
Oct 20, 2022
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Marquise’s ICE Prime player now supports SMPTE VC-6 mezzanine codec, making lower…
Eric Whipp Brings Three Thousand Years of Colour to George Miller’s New Film
Oct 13, 2022
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Colourist Eric Whip at Alter Ego talks about working on Baselight to find looks defining…
Preymaker Welcomes New Talent Julian Fitzpatrick and Will Mok
Oct 03, 2022
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Creative studio Preymaker hired Julian Fitzpatrick and Will Mok to join its team bringing…
Marquise Technologies Designs Flexible Workflows for Mastering, Versioning, QC
Sep 28, 2022
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Marquise Technologies has an updated lineup of video processing software for OTT content…
Colorfront Extends NDI, IMF, AWS S3 Support for Video Production Workflows
Sep 13, 2022
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Colorfront’s Transkoder and dailies software now feature 16-bit NDI video output and…
LightBender Post Designs Colour Workflow for Netflix Series ‘Mo’ on Mistika
Sep 05, 2022
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Colourist Juan Cabrera talks about using Mistika’s tools to precisely define the…
Marquise Technologies ICE Prime Monitors All Standards from the Desktop
Sep 04, 2022
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Marquise Technologies’ new version of ICE Player for the QC and real-time playback of…
Fuse Group Announces New Rising Sun Pictures President Jennie Zeiher
Sep 03, 2022
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The Fuse Group has announced the appointment of long-term Rising Sun Pictures executive…
AJA ColorBox Assures Colour Accuracy Across Broadcast, Production and Post
Sep 02, 2022
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AJA’s new device handles algorithmic and LUT processing using HDR/WCG transforms,…
NICE Shoes Colourist Polishes Florida’s Sunny Gulf Coast for ‘Life’s Rewards’
Aug 20, 2022
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NICE Shoes’ Lenny Mastrandrea colour graded Amazon Prime dramatic comedy series ‘Life’s…
Conductor Enterprise Automates Render Scheduling and Monitoring
Aug 11, 2022
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Conductor Enterprise adds virtual render wrangling and and reactive user management…
Digital Orchard Welcomes New Colourist Jo Barker
Jul 22, 2022
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Film and digital services company Digital Orchard will be joined by colourist Jo Barker,…
ArsenalFX Color Promotes Joshua Baca to CTO
Jul 20, 2022
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ArsenalFX Color announced that Joshua Baca, a company co-founder and partner, is taking…
Harbor’s Colourists Pump Up the Grade for ‘Super Pumped’ on Baselight
Jul 16, 2022
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Co-working colourists at Harbor in London shared ideas and skills on Baselight to develop…
FilmLight Colour Awards 2022 Celebrates the Art of Colour Grading
Jul 12, 2022
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The FilmLight Colour Awards celebrates the art of colour around the world, reflecting the…
Light Iron Strengthens its Management Team with Two New Hires
Jul 05, 2022
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Andy Kaplan joins as Senior Vice President of Operations, Peter Lin as Director of…
DNEG to Launch xSTUDIO as Open Source Playback and Review Application
Jun 18, 2022
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DNEG is planning the upcoming launch of xSTUDIO, a flexible playback and review…
Streambox and Blackmagic Integrate for Remote Post Workflows in the Cloud
Jun 18, 2022
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Streambox software works with Blackmagic UltraStudio and DeckLink devices and DaVinci…
Colorfront Express Dailies 2022 Supports New ACES AMF Workflows
Jun 09, 2022
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At Cine Gear Expo 2022, Colorfront shows Express Dailies 2022, ready to adapt to new…
DaVinci Resolve Brings Expressive Looks to Oscar winner ‘Drive My Car’
Jun 09, 2022
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Colourist Yumeto Kitayama used DaVinci Resolve Studio to prepare working LUTs for the…
DaVinci Resolve Studio Handles Grade, Online, Conform for 'Writing With Fire'
May 24, 2022
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Bridge PostWorks handled post for Oscar-nominated documentary ‘Writing With Fire’,…
MTI Film Develops AI-Assisted Frame-Rate Conversion, Camera Motion Analysis
May 21, 2022
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MTI developed an AI-assisted tool for frame-rate conversion for Cortex and camera motion…
The Finish Line Adds Colour and Emotion to Worldwide Motorcycle Treks
May 16, 2022
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The team at The Finish Line talk about working with video, captured around the world on…
Charles Bunnag Brings a Fresh Approach to Colour at Light Iron
May 14, 2022
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Colourist Charles Bunnag talks about his experiences of moving from the world of VFX, to…
The Hardy Boys S2 Gets a New Look on Mistika at Eggplant Picture & Sound
May 10, 2022
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The finishing team at Eggplant Picture & Sound in Toronto handled the conform, VFX pulls,…
Colorfront Dailies and Transkoder Gain ACES, Dolby, Apple M1, Frame.io Support
May 09, 2022
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Colorfront’s dailies and transcoding systems are updated with colour pipeline…
SMPTE’s New IMF App for Broadcast Will Soon Join IMF Family
May 06, 2022
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SMPTE developed an IMF App specifically for the many broadcasters using AVC compression,…
'Everest' Returns to Large-Screen Cinemas in a New 16K Restoration
May 04, 2022
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MacGillivrary Freeman Films completed a 16K restoration of classic large-screen…
FilmLight’s Colour Awards Return for 2022
May 03, 2022
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Nominations are now invited for the FilmLight Colour Awards 2022, to be presented at…
Colorfront Upgrades Colour-Accurate Live-Streaming for Remote Post
May 02, 2022
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At NAB 2022, Colorfront showed updates to their live-streaming systems supporting remote…
