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  • Cinesite VFX Breakdown - 'The Commuter'

  • Cinesite’s Management Team Grows with Three Animation and VFX Hires

  • cineSync 4.1 Adds Security & Playback Options for Studio Reviews

  • cineSync Keeps Important Looking Pirates on the Map

  • Cineware by Maxon Plug-in Integrates Cinema4D Assets into Unity

  • Clarisse iFX 4.0 Upgrades Control, Interactivity and Speed for 3D Artists

  • Clarisse iFX Integrates NVIDIA RTX Acceleration for Real-time Interactivity

  • Collaborating for Success in Animation and VFX

  • Colorfront Ramps up QC, Analysis and Watermarking for UHD/HDR Mastering

  • Colourist Asa Shoul Strikes the Colour Note on Baselight

  • Colourist Chris Rodgers Grades out of the Blue

  • Colourist Julien Biard Takes Colour Around the World

  • Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’

  • Colourist Yvan Lucas Grades through Three Decades of Cinema

  • Company 3 Welcomes Steven J Scott and Expands in Hollywood

  • Concept Artist Syd Mead Passes Away into Science Fiction’s History

  • Coney Island Returns in 'Wonder Wheel' with Integrated Colour

  • Connected Colors - WOW

  • Cooke Anamorphic/i SF Lenses Capture Precision Metadata for ‘Pinocchio’ VFX

  • Cooke S7/i Full Frame Plus and Anamorphic/i Capture ‘The Perfection’

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