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• Cinesite VFX Breakdown - 'The Commuter'

• Cinesite’s Management Team Grows with Three Animation and VFX Hires

• cineSync 4.1 Adds Security & Playback Options for Studio Reviews

• cineSync Keeps Important Looking Pirates on the Map

• Cineware by Maxon Plug-in Integrates Cinema4D Assets into Unity

• Clarisse iFX 4.0 Upgrades Control, Interactivity and Speed for 3D Artists

• Clarisse iFX Integrates NVIDIA RTX Acceleration for Real-time Interactivity

• Collaborating for Success in Animation and VFX

• Colorfront Ramps up QC, Analysis and Watermarking for UHD/HDR Mastering

• Colourist Asa Shoul Strikes the Colour Note on Baselight

• Colourist Chris Rodgers Grades out of the Blue

• Colourist Julien Biard Takes Colour Around the World

• Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’

• Colourist Yvan Lucas Grades through Three Decades of Cinema

• Company 3 Welcomes Steven J Scott and Expands in Hollywood

• Concept Artist Syd Mead Passes Away into Science Fiction’s History

• Coney Island Returns in 'Wonder Wheel' with Integrated Colour

• Connected Colors - WOW

• Cooke Anamorphic/i SF Lenses Capture Precision Metadata for ‘Pinocchio’ VFX

• Cooke S7/i Full Frame Plus and Anamorphic/i Capture ‘The Perfection’

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