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• DNEG Goes from Dreams to Nightmares for ‘Slumberland’

• DNEG Hires Alaric McAusland as Managing Director of New Sydney Studio

• DNEG Meets the Monsters in ‘Godzilla x Kong: The New Empire’

• DNEG Steps into New Characters and Creatures for 'Venom: The Last Dance'

• DNEG Takes a Wild Ride on ‘Furiosa: A Mad Max Saga’

• DNEG Visualises an AI-Powered Justice System in Sci-Fi Thriller ‘Mercy’

• Double Promotion Raises the Profile at Freefolk

• DreamWorks Animation Releases MoonRay as Open Source Software

• DVEO RTX 5090 AI Servers to Power 1Legion’s GPU Cloud Platform

• EditShare Accelerates Collaborative Post Workflows with Shared Storage at Tint

• EditShare EFS NVMe Expands Media Infrastructure at Leeds Trinity University

• EditShare’s Storage Enhances 4K and Remote Workflows at EGG Post & VFX

• EIZO’s 31.5-inch 4K Monitor Supports Consistent, Precise Colour Workflows

• EngineLab and AWS Support Studios on the Way to Cloud-Based Production

• Facing the Future of Broadcast Sports Audio

• Faster Media and Metadata Workflows for Global Productions

• FilmLight Colour Awards Winners Share Tips, Insights and Stories

• Filmmakers Find the Colour of ‘Dreams’ in Baselight 6’s New Tools

• Finding a Place for 'Here' in Light, VFX and Colour

• Finding the Perfect Finish for 'Furiosa: A Mad Max Saga'

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