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• Collaborating for Success in Animation and VFX

• Colorfront Ramps up QC, Analysis and Watermarking for UHD/HDR Mastering

• Colourist Asa Shoul Strikes the Colour Note on Baselight

• Colourist Chris Rodgers Grades out of the Blue

• Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’

• Company 3 Welcomes Steven J Scott and Expands in Hollywood

• Coney Island Returns in 'Wonder Wheel' with Integrated Colour

• Connected Colors - WOW

• Cooke S7/i Full Frame Plus and Anamorphic/i Capture ‘The Perfection’

• Corona Renderer 4 for Cinema 4D Updates Caustics and Interactive Rendering

• Corona Renderer Makes Cinema 4D Visualisations Fast and Interactive

• Cospective cineSync 4.0 Tightens Security, Gains iOS App

• Cream VR Captures Curious Minds in VR with Micro Studio Camera 4K

• Curó Software to Launch for Cloud-Based VFX Budgeting

• Daniele Di Donato Lights and Textures His 3D World with Keyshot

• DaVinci Resolve 12.5 Beta Launches with Editing, Colour & FX Updates

• DaVinci Resolve 15 Packs Fusion with Editorial, Colour and Sound Post Tools

• DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite

• Deluxe Australia Focuses on New Demand for OTT/Broadcast and VFX

• Deluxe Develops High-Res HDR Workflow for Streaming Video on 'Altered Carbon'

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