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• Digital Cube Meets Cannes Deadline for 'Donbass' with Baselight

• Digital Domain Gets Extreme for Nissan’s Titan

• Discovery Norway and Vizrt 3D Graphics Bring Live Sports to the Studio

• DNEG Builds a Better Cyborg for ‘Alita’

• DNEG Flies the Final Mission for ‘Catch 22’

• DNEG Makes a Bigger Splash for 'The Meg'

• DNEG ReDefines VFX Services for Expanding International Markets

• DNEG Takes Home the VFX Oscar for ‘First Man’

• DNEG Welcomes Andrew Gordon as Head of Character Animation

• DNEG's LA Team Welcomes Former Paramount SVP Post Corey Turner

• e.d. films Delivers a Legendary Bear with a Unity to Maya Pipeline

• e.d. films Helps Artists Create 3D Scenes from Photoshop Files

• EditShare Plays to Win for Ubisoft Montréal's Live Capture Workflow

• Egg Powers Post with EditShare XStream EFS and Ark Archive

• El Ranchito Lifts Render Performance with Avere Network Edge Filers

• Faceware Enhances Speed, Accuracy, Prices for Mocap Users Everywhere

• Facial Capture Company Dimensional Imaging Captures Growth Investment

• Fast-Track Screen Careers at AFTRS Postgraduate Information Evening

• Feature Films at AEAF Highlight Work from RSP, MPC, Iloura, Cutting Edge

• FilmLight at NAB: Control and Consistency in Finishing and Delivery

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