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• Mo-Sys Works with Assimilate on StarTracker Integration with Live FX

• Mo-Sys’ James Uren Launches OpenTrackIO Protocol at SMPTE 2024 Summit

• Movie People Deploys Sony Cameras, LEDs and Tools for Virtual Production

• MovieLabs Forms Industry Forum Leadership Council to Support Global Media Innovation

• MPC and Mikros Animation Welcome Senior Technology Officer Doug Bloom

• MPC Builds a Lion’s World for ‘Mufasa: The Lion King’

• MPC Creates VFX and Surreal Dreams for Alejandro Iñárritu’s ‘Bardo’

• MPC Welcomes Lucinda Keeler as Head of Production for London

• MSI Creator Z16P Pushes Performance and Graphics Memory for Virtual Creators

• MSI Prestige 16 Studio Wraps Up RTX Graphics, Accurate Colour with Portability

• MSI RTX 40 Laptops Feature NVIDIA Ada Lovelace Architecture at CES

• MSI Tunes Up New AI-Powered Laptop Series for Speed and Creativity

• MUSHANG VFX Lab Puts Virtual Production on Stage in Sydney

• Navigating Complex Workflows and Data Challenges in Media Production

• NIM Labs NIM 7.0 Visualises Production Scheduling for Studios

• Nuke 16.0 Adds Multishot Compositing, Updates BlinkScript and Timelines

• NVIZ Expands Senior Team to Launch a New Phase of Development

• NVIZ Welcomes Luke Kaile and Chris Lunney to Top Leadership Roles

• Papertown Shoots Inside a Virtual Hangar Using Mo-Sys Onset VP Services

• Picture Shop Names Rachel Faith Hanson as Executive Producer of VFX

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