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• Autodesk Flame 2018.3 Updates HDR, Tracking and VR Tools for Post

• Autodesk Flame 2021.2 Refines Keying, Timeline Navigation, Search

• Autodesk Flame Continues AI Integration for Colour, Finishing and VFX

• Autodesk Maya 2017 Integrates Arnold, Stingray Supports New VR Platforms

• Autodesk to Hold 3ds Max Live Stream Event

• Autodesk’s Diana Colella to Lead Media & Entertainment Group

• Autodesk’s Maya, 3ds Max and Arnold 5.0 Gain Interactivity, Smarter Workflows

• Automatic Duck’s Xsend Motion Bridges FCP X to Motion 5

• Avid Maestro | Engine Powers Real-time Virtual and AR Broadcast Graphics

• Award-winning Executive VFX Supervisor Bryan Godwin Joins DNEG

• Axis Animation Transforms ‘Dawn of War III’ Cinematic with Fusion Studio

• Axis Creates Cinematics for Bungie’s ‘Destiny’ Reveal Trailer

• Axis Launches Trailer for Upcoming 'Dawn of War III'

• Axis Studios Flexes its Pipeline on the AWS Cloud

• Axis Studios Joins Creative Forces in Animation and VFX

• Axis Studios Traverse the VR Universe to Create 'The bOnd'

• axisVFX Delivers Animation and Compositing for SyFy's Series 'Happy!'

• AXYZ anima v4 Introduces 4D People and Crowds to Visualisations

• BangBang and RSP Bring VFX Magic to Chinese Adventure 'Animal World'

• Baselight 5.3 Upgrades Colour Control and Processing for Artists

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