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• El Ranchito Lifts Render Performance with Avere Network Edge Filers

• Faceware Enhances Speed, Accuracy, Prices for Mocap Users Everywhere

• Facial Capture Company Dimensional Imaging Captures Growth Investment

• Fast-Track Screen Careers at AFTRS Postgraduate Information Evening

• Feature Films at AEAF Highlight Work from RSP, MPC, Iloura, Cutting Edge

• FilmLight API

• FilmLight at NAB: Control and Consistency in Finishing and Delivery

• FilmLight Baselight Ups the Ante for ‘Uncut Gems’ at The Mill NY

• FilmLight Input Versioning

• FilmLight Prelight Perfects Looks on Set for DoPs and DITs

• FilmLight Puts Colour On Stage for Post Production Artists

• FilmLight Shows Baselight 5.0 for Avid and NUKE at IBC

• Filmmakers Tame Ultra-wide Video for Taronga Zoo’s Wild Screen

• Final Fantasy XV Cinematic - Luma Pictures

• Final Fantasy XV Cinematic Breakdown - Luma Pictures

• Finishing Captain Marvel - from VFX to Colour to Deliverables

• Flame 2018 Update 1 Improves Batch Paint & Conform Workflow

• Flame 2020.2 Update Adds AI Tools and Improves Reference Comparison

• Folks Builds a Formidable VFX Force in Montreal and Toronto

• Ford F-150 Gets a Dynamic Colour Treatment with DaVinci Resolve Studio

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