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• Cooke S7/i Full Frame Plus and Anamorphic/i Capture ‘The Perfection’

• Corona Renderer 4 for Cinema 4D Updates Caustics and Interactive Rendering

• Corona Renderer 5 for 3ds Max Optimises Memory, Caustics, Geometry

• Corona Renderer 6 for 3ds Max Adds Procedural Sky, New Photoreal Materials

• Corona Renderer 6 for Cinema 4D Adds Realistic Sky Model and Scattering

• Corona Renderer Makes Cinema 4D Visualisations Fast and Interactive

• Cospective cineSync 4.0 Tightens Security, Gains iOS App

• Cream VR Captures Curious Minds in VR with Micro Studio Camera 4K

• Curó Software to Launch for Cloud-Based VFX Budgeting

• Daniele Di Donato Lights and Textures His 3D World with Keyshot

• DaVinci Resolve 12.5 Beta Launches with Editing, Colour & FX Updates

• DaVinci Resolve 15 Packs Fusion with Editorial, Colour and Sound Post Tools

• DaVinci Resolve Colour and Fusion Stitching Take ‘Everest VR’ to the Top

• DaVinci Resolve Studio Defines Looks and Matches Locations for ‘Rom’

• DaVinci Resolve Studio Keeps Alien Post Production on Track in Berlin

• DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite

• DejaEdit Keeps Production and Post Teams in Sync for Films and TV

• Deluxe Australia Focuses on New Demand for OTT/Broadcast and VFX

• Deluxe Develops High-Res HDR Workflow for Streaming Video on 'Altered Carbon'

• Deluxe Takes VFX Workflows Beyond for Star Trek

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