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• Chaos Plans its AI Future for Visualisation and Storytelling

• Church Uses Blackmagic ATEM to Customise Global Live Streaming Workflows

• Cinegy Air Advances Playout, Automation and Failover for Video Delivery

• Cinegy and Scale Logic Collaboration Manages Assets and Storage, Lowers Costs

• Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

• Cinegy Capture Supports Flexible, Multi-Channel Ingest at Notre Dame Studios

• Cinegy Expands Playout Capabilities for New Channels at CANAL+ Polska

• Cinegy Multiviewer 24.2 Optimises Performance, Maximises GPU Acceleration

• Cinematographer Mandy Walker to Judge at FilmLight Colour Awards

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB

• Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

• Colorfront Upgrades SDR/HDR Video Mastering and Streaming Workflows

• Colour and Cinematography Push Time and Place on TV Series Eric

• Colour Grade Brings History, Mythology and Drama to Life for Thangalaan

• Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

• Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Colourist Sean Dunckley Joins Goldcrest Post's Senior Creative Team

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

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