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• ArsenalFX Color Optimises HDR Deliverables with AJA HDR Image Analyzer

• Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise

• Artjail Mixes Up Colour and VFX in the Baselight Grading Suite

• Artyficial Builds Moscow’s Colour Community on FilmLight Pipeline

• ASC Releases ‘The Mission’ Short Film as Test Content for Filmmakers

• ASWF Welcomes Maxon and Tangent Animation as General Members

• ATEME TITAN Live Transcoder Supports Dolby Vision and Dolby Atmos

• Atlantis Television Builds Virtualized Post Workflow on Telestream Vantage

• Atomic Fiction Takes a Trip to Marwen

• Atomos and DP James Miller Give Canon DSLRs a HDR Upgrade

• Atomos Monitor Recorders Support Hi-Res HFR/HDR Workflows

• Atomos Records 4Kp60 ProRes RAW over HDMI from Sony Alpha 7S III

• ATTO 360 Tuning Software Now Supports Avid NEXIS and Autodesk Flame

• ATTO Adds illumos and Open Source Support for Celerity HBAs

• ATTO and Dell EMC Connect SAS LTO Tape Libraries via Ethernet

• ATTO Thunderbolt 3 to 12Gb SAS Adapter is VMware Ready for Developers

• ATTO's FastFrame3 100GbE NICs Maintain Low Latency, High Performance

• Audio-Visual Translation Leads in Online Subtitling and Localisation

• Auto Tone Gives Adobe Premiere Pro Editors a Head Start in Colour

• Autodesk 3ds Max 2019.2 Updates Fluids and Alembic Support

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