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• Avid and Adobe Bring Inclusive Workflows to Post and Broadcast

• Avid Matches Phrases & Scripts with Video Analytics Updates

• Avid Media Central Moves Online for Collaboration and Workflows

• Avid MediaCentral 2019 Transforms Searches, Collaboration and Ingest

• Avid Mobile Apps for MediaCentral Deliver News Stories from Anywhere

• Avid NEXIS Expands Storage Capacity and Scale-out Performance

• Avid NEXIS Pushes up Speed and Scalability, Supports Pro Tools

• Avid Pro Tools 2019 Upgrades 4K Video Playback and Dolby Workflows

• AWS’ New Services Push Studios and Workflows Further into the Cloud

• Axis Studios Flexes its Pipeline on the AWS Cloud

• Azimuth Takes a New Angle on Colour Finishing with Baselight ONE

• BangBang and RSP Bring VFX Magic to Chinese Adventure 'Animal World'

• Banijay Deploys Hybrid Blue Lucy MAM for Content Operations

• Baselight 5.3 Upgrades Colour Control and Processing for Artists

• Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour

• Baselight X Recreates 1930s Hollywood in Black and White for ‘Mank’

• Baselight X Seizes a HDR Look for Netflix Thriller 'Mindhunter'

• BBC Street and Youngster Modernise Colour with New Baselight Workflows

• Beau Leon Makes the Grade at Framestore LA with Baselight

• Ben Allan Final Cut Pro X 10.4 Review

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