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• 'Paris ETC' DIT puts FilmLight's Prelight to Work on Set and Beyond

• 'Stage Mums' Gets a Good Look with URSA Mini 4.6K and DaVinci Resolve

• ‘Flesh and Blood’ Gets Close to the Bone with Blackmagic Design

• ‘Mary Poppins Returns’ Sings, Dances and Swims with VFX Magic

• Academy Software Foundation Welcomes New Members, Adopts OpenVDB Project

• Adobe After Effects and Premiere Pro Get Smarter, More Efficient

• Adobe CC Applications Gain New Video & Collaboration Workflows

• Adobe CC Updates Graphics, Analytics & Audio for Video Editors

• Adobe Creative Cloud Upgrades Colour, VR & Workflow Integrations

• Adobe Updates CC Desktop Software for Video and Motion Graphics

• Adobe Works with Partners on IMF Mastering, VoIP, Colour and 4K HDR I/O

• AFTRS Adds New Post and Editorial Training Courses

• AFTRS Appoints Eight New Heads of Discipline

• AFTRS Open Day Set to Transform Screen Careers

• AFTRS' Info Event Opens Applications for Master of Arts: Screen

• AJA Io 4K Plus Thunderbolt 3 Powers 4K/UHD, HDR, Audio Workflows

• AJA and Colorfront Continue Real-Time HDR Video Development at NAB

• AJA FS-HDR v3.0 Firmware Evolves HDR Standards Support

• AJA FS4 Frame Sync & Converter Supports 4K/UHD & 2K Workflows

• AJA HA5-12G Mini-Converters Ship for Broadcast, Production, ProAV

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