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Maxon
  • Avid NEXIS Expands Storage Capacity and Scale-out Performance

  • Avid NEXIS Pushes up Speed and Scalability, Supports Pro Tools

  • Avid Pro Tools 2019 Upgrades 4K Video Playback and Dolby Workflows

  • Avid’s Managed Cloud Brings Fast Workflows to Paramount’s Remote Teams

  • AVIWEST and LucidLink Support Cloud-based Editing and Post Workflows

  • AWS’ New Services Push Studios and Workflows Further into the Cloud

  • Axis Studios Flexes its Pipeline on the AWS Cloud

  • axledit Cloud Editor Integrates Search and Collaboration for Remote Teams

  • Azimuth Takes a New Angle on Colour Finishing with Baselight ONE

  • BangBang and RSP Bring VFX Magic to Chinese Adventure 'Animal World'

  • Banijay Deploys Hybrid Blue Lucy MAM for Content Operations

  • Baselight 5.3 Upgrades Colour Control and Processing for Artists

  • Baselight Colourist Gareth Spensley at Co3 Grades The French Dispatch

  • Baselight Streamlines True Colours for ‘Big Little Lies’ at Technicolour

  • Baselight X Recreates 1930s Hollywood in Black and White for ‘Mank’

  • Baselight X Seizes a HDR Look for Netflix Thriller 'Mindhunter'

  • BBC Street and Youngster Modernise Colour with New Baselight Workflows

  • Beau Leon Makes the Grade at Framestore LA with Baselight

  • Ben Allan Final Cut Pro X 10.4 Review

  • Ben Gervais Walks the Line for 120P 4K Master on ‘Billy Lynn’

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