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• DFT Scanity 4K Film Scanner Participates in Digitisation Initiative at Poland’s FINA

• DICE Verse Integrates Zixi to Expand Global IP Channel Distribution Service

• Digital Domain Relaunches Advertising Experiences Group With New Hires

• Digital Domain Visualises a Choctaw Origin Story for Marvel’s New Series ‘Echo’

• Digital Domain Visualises a Witch’s World for MCU’s ‘Agatha All Along’

• Digital Domain Welcomes Gabrielle Gourrier as Executive Vice President of VFX

• Digital Film Technology Appoints Gunter Weidlich as Managing Director

• Dimension Studio Announces Expansion With Key Executive Hires

• Dimension Travels from the Ice Age to New York – and Back – for ‘Time Bandits’

• Dimension Works with AWS and Arch to Move Virtual Production to the Cloud

• Dirty Looks Bring Authenticity to 'The Zone of Interest' with Naturalistic Colour

• DIT Kevin Shiramizu Bridges the Worlds of On-Set Production and Post

• DNEG Creates a Bang When East Meets West in 'The Gorge'

• DNEG Goes from Dreams to Nightmares for ‘Slumberland’

• DNEG Hires Alaric McAusland as Managing Director of New Sydney Studio

• DNEG Meets the Monsters in ‘Godzilla x Kong: The New Empire’

• DNEG Steps into New Characters and Creatures for 'Venom: The Last Dance'

• DNEG Takes a Wild Ride on ‘Furiosa: A Mad Max Saga’

• dock10 and University of York Join on AI Research Project for Virtual Studios

• Double Promotion Raises the Profile at Freefolk

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