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• ContentAgent v3.6 Turns Up LUT and DNxHR Format Support

• Cooke Anamorphic/i Metadata Gives TV Series ‘Valkyrien’ a New Life

• Corona Renderer Makes Cinema 4D Visualisations Fast and Interactive

• Cospective cineSync 4.0 Tightens Security, Gains iOS App

• Cream VR Captures Curious Minds in VR with Micro Studio Camera 4K

• Dalet Galaxy Manages and Customises Large Scale IMF Operations

• Dalet xN IMF Maker Automates International Content Prep & Versioning

• Dalet’s Galaxy Engine & Amberfin Automate Broadcast Post at Colortime

• DaVinci Resolve 14 Gains Fairlight Audio and Collaborative Editing

• DaVinci Resolve 15 Packs Fusion with Editorial, Colour and Sound Post Tools

• DaVinci Resolve Studio Delivers across Episodic TV Spectrum

• DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite

• Deidre McClelland Tames the Outback with DaVinci Resolve in 'True Blue'

• Deluxe Appoints Stefan Sonnenfeld Chief Creative Officer

• Deluxe Australia Focuses on New Demand for OTT/Broadcast and VFX

• Deluxe Develops High-Res HDR Workflow for Streaming Video on 'Altered Carbon'

• Deluxe Executives from Co 3, Encore & EFILM Make Moves Worldwide

• Deluxe Extends 4K/UHD Services to HDR Management and Delivery

• Deluxe Level 3 Post Updates IO/Data Deliveries with Cinedeck

• Deluxe One Cloud Platform Unifies Content Creation and Distribution

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