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• Cinesite Creates a Great Escape for X-Men: Apocalypse

• Cinesite Partners with Trixter VFX and Animation Studio

• Cinesite Rides a Mystery Train for 'The Commuter'

• Cinesite Touches Heaven and Earth for 'American Gods'

• cineSync Keeps Important Looking Pirates on the Map

• Cintel Scanner Manages 35mm-to-UHD Transfers at Goldcrest Films

• Clarisse iFX Integrates NVIDIA RTX Acceleration for Real-time Interactivity

• Codex and RED 8K WEAPON Take on ‘Guardians of the Galaxy Vol. 2’

• Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65

• Codex Production Suite 4.5 Unifies On & Near-set Workflows

• Colorfront Builds on UHD/HDR Workflows On-Set to Delivery at NAB

• Colorfront Expands Large Format Support and UHD/HDR Tools at IBC2018

• Colorfront Ramps up QC, Analysis and Watermarking for UHD/HDR Mastering

• Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019

• Colorfront Transkoder 2016 Updates HDR and IMF Mastering and QC

• Colourist Andy Minuth - Baselight Texture Tools

• Colourist Asa Shoul Strikes the Colour Note on Baselight

• Colourist Chris Rodgers Grades out of the Blue

• Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’

• Coming Events - 4K and HDR in the Real World for Broadcast and Post

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