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• Colour and Cinematography Push Time and Place on TV Series Eric

• Colour Grade Brings History, Mythology and Drama to Life for Thangalaan

• Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

• Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Colourist Sean Dunckley Joins Goldcrest Post's Senior Creative Team

• Colourist Tom Cairns Builds Looks and Stories with Brick and Mortar

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• Conductor Cloud Render Platform Now Supports SideFX Houdini

• Cooke Lenses Capture Conflict Between Old and New in ‘The Gilded Age’

• Corbel 3D Accelerates Image File Transfers on Signiant Media Shuttle

• CoreWeave Acquires Conductor Technologies to Expand Services to VFX Studios 

• Cosmic Dino Studio Scales Up 3D Animation Resources for ‘Scarygirl’

• Creating a Supernatural Colour Grade for ‘Salt Along the Tongue’

• Cubbit Customises Geo-Distributed Cloud Storage for M&E Organisations

• Dalet Flex Enhances Efficiency Across the Content Supply Chain

• Dalet FLEX Upgrades Remote Collaboration and Mobility for Video Production

• Dalet Pyramid Updates and Expands News and Editorial Systems at RNZ

• Dalet Transforms Italy’s Premier Football League into a Sports Media Enterprise

• Das Element 2.1 Adds Control and Convenience to VFX Asset Libraries

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