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• Clarisse iFX Integrates NVIDIA RTX Acceleration for Real-time Interactivity

• Codex and RED 8K WEAPON Take on ‘Guardians of the Galaxy Vol. 2’

• Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65

• Codex Production Suite 4.5 Unifies On & Near-set Workflows

• Colorfront Builds on UHD/HDR Workflows On-Set to Delivery at NAB

• Colorfront Expands Large Format Support and UHD/HDR Tools at IBC2018

• Colorfront Ramps up QC, Analysis and Watermarking for UHD/HDR Mastering

• Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019

• Colorfront Transkoder 2016 Updates HDR and IMF Mastering and QC

• Colourist Andy Minuth - Baselight Texture Tools

• Colourist Asa Shoul Strikes the Colour Note on Baselight

• Colourist Chris Rodgers Grades out of the Blue

• Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’

• Coming Events - 4K and HDR in the Real World for Broadcast and Post

• Commercial Grading Goes On Set with DaVinci Resolve Micro Panel

• Company 3 Welcomes Steven J Scott and Expands in Hollywood

• Comprimato – Fast, Efficient Compression Preserves Quality & Space

• Comprimato Expands into San Francisco’s Video Compression Market

• Comprimato Generates 4K, 8K & VR Format for Realtime Editing

• Coney Island Returns in 'Wonder Wheel' with Integrated Colour

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