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• Arcturus Updates Volumetric Video Options for Virtual Production and XR

• Armen Kevorkian & Deluxe Save the Day with DC Comics

• Arnold 5.3 Helps Control CPU/GPU Renders, Lighting and Look Dev Cycles

• ARRI ALEXA Large Format System Supports Native 4K/HDR Workflows

• ARRI AMIRA Now Records ARRIRAW for Cinema, TV and VFX

• ARRI Impression V Filters Expand Creative Looks and Uses for Signature Lenses

• ARRI Ships Full Range of Large Format Signature Prime Lenses

• ARRI Stellar Adds Live Sync and iCloud Backup for Lighting Controls

• Arsenal FX Color Supports Upcoming Colourists for Television

• ArsenalCreative Adds Colour with Colourist Derek Hansen from The Mill

• ArsenalCreative Welcomes Thomas J Connors as VFX Supervisor

• ArsenalFX Color Optimises HDR Deliverables with AJA HDR Image Analyzer

• ArsenalFX Color Promotes Joshua Baca to CTO

• Arte Video Upgrades OTT and IMF Deliverables Processing with Marquise

• Artjail Mixes Up Colour and VFX in the Baselight Grading Suite

• Artyficial Builds Moscow’s Colour Community on FilmLight Pipeline

• ASC Releases ‘The Mission’ Short Film as Test Content for Filmmakers

• ASWF Welcomes Maxon and Tangent Animation as General Members

• ATEME TITAN Live Transcoder Supports Dolby Vision and Dolby Atmos

• Atlanta VFX Leaves No Clues with Fusion Studio on ‘Only Murders in the Building’

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