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• Avid SaaS Adds Real-Time Review and Approval to Remote Collaboration

• Avid’s MediaCentral Builds More Efficient Workflows for Broadcast Teams

• Avid’s Remote Workflows Keep Teams, Media and Tools Connected

• Award-Winning Colourist Natasha Leonnet Joins Picture Shop

• Axis Studios Creates Photoreal Environments and FX for ‘A Man Called Otto’

• b-com Pushes Ahead on Content Security and HDR Conversion Developments

• Baselight Colour Grade Brings Cinematic Realism to ‘A Piece of Sky’

• Baselight v6.0 Opens the World of Machine Learning to Colourists

• Blackmagic Camera for Android Supports Cloud Collaboration and 8K Recording

• Blackmagic Cameras and ATEM Keep Sarah Renae Clark’s Channels Streaming

• Blackmagic Cameras Capture a Documentary at the Edge of History

• Blackmagic Cameras Go Storm Chasing in China for Documentary ‘Soul of Storm’

• Blackmagic Captures the Action and Look of Hiroshi Okuyama’s My Sunshine

• Blackmagic Cinema Camera 6K Captures Curél Commercial on the Rocks

• Blackmagic Cloud Collaborative Workflow Brings RKM Studios’ Vision to the Screen

• Blackmagic DaVinci Resolve 19 Updates Colour, VFX, Editorial, Sound Workflows

• Blackmagic Design ATEM Update Adds Visca PTZ Control and Audio Mapping

• Blackmagic Design Cameras and Gear Deliver a Cool Broadcast at Skiing World Cup

• Blackmagic Design Drops Prices for Blackmagic Cloud Store

• Blackmagic Keeps Dream Street’s Live Streaming Workflow Ahead of the Game

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