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Newsletter
  • Sony’s Cinematic Live HDR Workflow Celebrates the Sagrada Familia with Pope Leo

  • Sony’s New 4K Camcorders Focus on AI Functions, Interoperability, Connectivity

  • Spafax | The Hub Takes Interra’s BATON Inflight to Upgrade File-Based QC

  • Speaking a New Story Language – Apple Immersive Video

  • Spectra Digital Archive Simplifies Long-Term Data Preservation and Monetisation 

  • Spectra Logic and Wasabi Optimise Data Across Cloud and Hybrid Environments 

  • Spectra Logic Delivers Media Insight for Fast Discovery, Preview, Retrieval within Archives

  • Squid Game Season 2 Takes Another Chance at Colour, Drama and Life

  • Steven Esparza Captures the Look of a Life on Waves in DaVinci Resolve

  • Students Leap into LED Virtual Production with Pocket Cinema Camera 4K

  • Studio Hamburg Builds a New ‘Red Roses’ Post Pipeline on DaVinci Resolve

  • Supervising Colourist Peter Doyle Joins Picture Shop

  • Support for Native Cloud-based Dante Audio Transmission Continues to Grow

  • Survival, Disasters and Virtual Production on ‘No Way Up’

  • Swank Motion Pictures Enlists Interra BATON for Automated Quality Control

  • SWR Deploys Sony VERONA LEDs and OCELLUS for Virtual Production Innovation

  • TAG’s IBC Updates Go for Speed and Scale in Live, Uncompressed Monitoring

  • Taking a Colourist’s Journey from Camera to Post

  • Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

  • Technicolor Group Appoints David Conley as New MPC President

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