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• Spectra Logic and Wasabi Optimise Data Across Cloud and Hybrid Environments 

• Squid Game Season 2 Takes Another Chance at Colour, Drama and Life

• Steven Esparza Captures the Look of a Life on Waves in DaVinci Resolve

• Students Leap into LED Virtual Production with Pocket Cinema Camera 4K

• Studio Hamburg Builds a New ‘Red Roses’ Post Pipeline on DaVinci Resolve

• Supervising Colourist Peter Doyle Joins Picture Shop

• Support for Native Cloud-based Dante Audio Transmission Continues to Grow

• Survival, Disasters and Virtual Production on ‘No Way Up’

• Swank Motion Pictures Enlists Interra BATON for Automated Quality Control

• SWR Deploys Sony VERONA LEDs and OCELLUS for Virtual Production Innovation

• TAG’s IBC Updates Go for Speed and Scale in Live, Uncompressed Monitoring

• Taking a Colourist’s Journey from Camera to Post

• Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

• Technicolor Group Appoints David Conley as New MPC President

• Telestream DIVA Now Certified with Quantum ActiveScale Object Storage

• Telestream Pulse Delivers Software-Defined Test & Measurement for IP Workflows

• Telestream Upgrades Vantage and Test & Measurement for New Media Workflows

• The Cinebot Mini Brings Precision and Flexibility to Back-to-School Campaign

• The Connected Quantum Workflow from File Data to Object Storage to Cloud

• The Imaginarium Studios Names Maeve Russell Head of Production

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