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  • Cinematographers and Colourists Support FilmLight Colour Awards

  • Cintel Scanner and Resolve Scan and Restore Classic Films in Mexico

  • Cintel Scanner Assures Restoration of Brazil’s Film History at Afinal Filmes

  • Cintel Scanner Manages 35mm-to-UHD Transfers at Goldcrest Films

  • Cintel Scanner Takes on Film Archiving and Restoration at Athénée Français

  • Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65

  • Codex Production Suite 4.5 Unifies On & Near-set Workflows

  • Color Finale Transcoder Speeds RAW Media Imports into FCP

  • Colorfront Dailies and Transkoder Gain ACES, Dolby, Apple M1, Frame.io Support

  • Colorfront Develops Near Real-time ACES Pipeline for HDR Production

  • Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows

  • Colorfront Expands Large Format Support and UHD/HDR Tools at IBC2018

  • Colorfront Express Dailies 2020 Subscription and New Mac Pro Lower Costs On-Set

  • Colorfront Express Dailies 2022 Supports New ACES AMF Workflows

  • Colorfront Paves the Way for Remote, Colour-Accurate 4K HDR Post

  • Colorfront Ramps up QC, Analysis and Watermarking for UHD/HDR Mastering

  • Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019

  • Colorfront Upgrades Colour-Accurate Live-Streaming for Remote Post

  • Colorfront’s Streaming Server Supports Remote Colour-Accurate Post

  • Colourist Aidan Stanford Joins Arsenal FX Color

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