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• Colorfront Expands Large Format Support and UHD/HDR Tools at IBC2018

• Colorfront Ramps up QC, Analysis and Watermarking for UHD/HDR Mastering

• Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019

• Colourist Andy Minuth - Baselight Texture Tools

• Colourist Asa Shoul Strikes the Colour Note on Baselight

• Colourist Chris Rodgers Grades out of the Blue

• Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’

• Coming Events - 4K and HDR in the Real World for Broadcast and Post

• Commercial Grading Goes On Set with DaVinci Resolve Micro Panel

• Company 3 Welcomes Steven J Scott and Expands in Hollywood

• Coney Island Returns in 'Wonder Wheel' with Integrated Colour

• DaVinci Resolve 12.5 Beta Launches with Editing, Colour & FX Updates

• DaVinci Resolve 14 Gains Fairlight Audio and Collaborative Editing

• DaVinci Resolve 15 Packs Fusion with Editorial, Colour and Sound Post Tools

• DaVinci Resolve Studio Delivers across Episodic TV Spectrum

• DaVinci Resolve Unifies Editing, Colour and VFX in IMAGICA’s New Suite

• Deidre McClelland Tames the Outback with DaVinci Resolve in 'True Blue'

• Deluxe Appoints Stefan Sonnenfeld Chief Creative Officer

• Deluxe Develops High-Res HDR Workflow for Streaming Video on 'Altered Carbon'

• Deluxe Toronto Takes on 4K Post for Resident Evil’s Last Stand

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