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• Blackmagic URSA & DaVinci Resolve Workflow Rearranges a Marriage

• Capturing ‘Deadpool’ from Set to Post

• Capturing a Day in the Country with the Canon EOS C700

• CHEAT and DaVinci Resolve Colour and Conform the World's End

• CHEAT Gears Up for HDR and Dolby Vision with Resolve R&D Workflow

• Chimney Collaborates with Zombies and Artists in Real Time via Resolve Studio

• CineCert, Marquise and Venera Create and QC DCP/IMF Packages in a Single Workflow

• Cinegize Software-based 8K KVM-over-IP Uses Daniel2 Compression

• Cinegy Daniel2 Codec Beta GPU-Accelerates 8K Post Workflows

• Cinematographer Martin Ruhe Captures Life and Death with Cooke and ARRI

• Cintel Scanner Manages 35mm-to-UHD Transfers at Goldcrest Films

• Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65

• Codex Production Suite 4.5 Unifies On & Near-set Workflows

• Colorfront Develops Near Real-time ACES Pipeline for HDR Production

• Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows

• Colorfront Expands Large Format Support and UHD/HDR Tools at IBC2018

• Colorfront Express Dailies 2020 Subscription and New Mac Pro Lower Costs On-Set

• Colorfront Ramps up QC, Analysis and Watermarking for UHD/HDR Mastering

• Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019

• Colourist Andy Minuth - Baselight Texture Tools

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