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• MTI Film Tells the 'Story of Us' in Living Colour

• MTI Film Updates CORTEX v5's Deliverables and QC, Lights Up an Indie Thriller

• Mystery Box Refines HDR Production and Post with AJA HDR Image Analyzer

• NAB 2019 - Autodesk Flame 2020 Accelerates VFX Workflows with Machine Learning

• Nevion Virtuoso Keeps Colours True for Remote Grading at a52 Color

• New Workshop to Present Colour Grading for Cinematographers

• nhb Reaches New Locations and Workflows with Baselight

• Park Road Post and IRT Take a Closer Look at EIZO’s ColorEdge HDR Monitor

• Phillip Youmans Wins Tribeca Award for Film Shot on URSA MiniPro 4.6K

• Pinewood Digital Shines FilmLight’s Daylight on Near-Set Dailies

• Pomfort SealVerify Manages Media Checksum and Seal Verification

• Rebel Fleet Takes Quantum Storage on Location for Real-time Post

• Roundabout Set for 4K Editing, Colour & Finishing with SAM’s Rio

• Roundtable Post Stays One Step Ahead with Colorfront Transkoder

• SCRATCH / SCRATCH VR Suite 8.6 Tackle Stitching and Expand HDR Tools

• SCRATCH 8.6 Expands HDR Mastering, Format Support & DIT Tools

• Simon Astbury Makes the Grade at Digital Domain

• Singapore Short Film Qualifies for Oscars with Flying Colours

• Sony BVM-X300 4K OLED to Gain HDMI Input and HDR Functionality

• Sony FS5 and Atomos Shogun Inferno Shine for ‘Christmas Lights’

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