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  • DaVinci Resolve 15 Packs Fusion with Editorial, Colour and Sound Post Tools

  • DaVinci Resolve 17.4 Gets Apple M1 Acceleration, Automates Colour Management

  • DaVinci Resolve 18 Hosts Projects in the Cloud, Adds Proxy Workflow

  • DaVinci Resolve Brings Expressive Looks to Oscar winner ‘Drive My Car’

  • DaVinci Resolve Captures a ‘Streetwise’ Look at Life in Modern China

  • DaVinci Resolve Colour and Fusion Stitching Take ‘Everest VR’ to the Top

  • DaVinci Resolve Finishes and Grades Environmental Docmentary for Netflix

  • DaVinci Resolve Pipeline Integrates Production with Post for ‘Safety’

  • DaVinci Resolve Races through the Decades for ‘Ford vs Ferrari’

  • DaVinci Resolve Studio and Blackmagic RAW Solve Remote Post for Indie Film

  • DaVinci Resolve Studio Brings Live Action Manga Series to Small Screens

  • DaVinci Resolve Studio Defines Looks and Matches Locations for ‘Rom’

  • DaVinci Resolve Studio Delivers across Episodic TV Spectrum

  • DaVinci Resolve Studio Gives 'On My Mind’ a Look to Earn Oscar Nomination

  • DaVinci Resolve Studio Handles Grade, Online, Conform for 'Writing With Fire'

  • DaVinci Resolve Studio Keeps Alien Post Production on Track in Berlin

  • DaVinci Resolve Studio Keeps the Story Together on ‘Red Notice’

  • DaVinci Resolve Studio Supports Remote Grading for Sundance Winner ‘Cusp’

  • DaVinci Resolve Tells a Spectacular Colour Story for ‘Normal People’

  • DaVinci Resolve Tells The Protégé’s Story in Colour and Light

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