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• ENVY Post Builds Mastering Workflows on Telestream Vantage

• FilmLight API

• FilmLight at NAB: Control and Consistency in Finishing and Delivery

• FilmLight Baselight Returns to Cold War Days for ‘The Americans’

• FilmLight Baselight Ups the Ante for ‘Uncut Gems’ at The Mill NY

• FilmLight Input Versioning

• FilmLight Prelight Perfects Looks on Set for DoPs and DITs

• FilmLight Puts Colour On Stage for Post Production Artists

• FilmLight Shows Baselight 5.0 for Avid and NUKE at IBC

• FilmLight to Hold a Free Baselight Beginners Course

• FilmLight's STUDENT Software Moves Up to Baselight v5

• Filmmakers Play ‘Quezon’s Game’ with Blackmagic Cameras and DaVinci Resolve

• Filmmakers Tame Ultra-wide Video for Taronga Zoo’s Wild Screen

• Films Graded on Baselight Win Top Honours at Berlin Film Festival

• Final Cut Pro X 10.4 Hits its Stride for Editing, Colour and Finishing

• Finishing Captain Marvel - from VFX to Colour to Deliverables

• FireFly Cinema Captures 'The History of Love' in Colour

• Firefly’s Digital Dailies Colours the History of Love

• Flame 2021 Adds Physical Defocus, Facial Keying, HDR Mastering

• Ford F-150 Gets a Dynamic Colour Treatment with DaVinci Resolve Studio

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