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Filmmakers Take the Leap into Space with Blackmagic for 'When We Were Shuttle'
Finding the Perfect Finish for 'Furiosa: A Mad Max Saga'
Flanders Scientific XMP310 Monitor Supports SDR/HDR Set-to-Post Production
Flying Lap Media Uses Blackmagic RAW and Resolve to Capture Life on Track
Framefloor Builds Creative Post Workflows on AJA Gear
Grass Valley Adds PHABRIX QxP Portable Waveform Monitor for IP/SDI R&D
Grass Valley AMPP SaaS Delivers G20 Summit from New Delhi to the World
Grass Valley's LDX 135 Modernizes Camera Fleet at Mediaset in Italy
Harbor Expands with Dedicated Dailies Facility at Shepperton Studios
John Daro Masters the Power of Colour from Science to Storytelling
José Francisco Neto Unravels the Colourist’s Role at FilmLight Colour Awards
Light Iron Chooses Nara to Unify Media Access, Streaming and Indexing
Light Iron Welcomes Andrew Geary as Senior Colourist
LucidLink and Magicbox Partner on Live, Remote Virtual Production Workflow
LUMIX S5IIX / S5II Support High Bit-Rate Video Options and Phase Hybrid AF
Maxon One Spring 2024 Brings Particle Simulations and Non-Photoeal Renders
Molinare Welcomes Carlotta Rio to its Colourist Team
Molinare’s Ross Baker Brings a Love of Colour to Television and Film
MSI Prestige 16 Studio Wraps Up RTX Graphics, Accurate Colour with Portability
MTI Cortex v5.5 Adds New AI Tools for Frame Rate Conversion and Up Resolution
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