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• Deluxe's Global Post Pipeline Transcends Boundaries for 'Electric Dreams'

• DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood

• Digistor Adds Courses in Resolve, Cinema 4D and Adobe CC

• Digital Cube Meets Cannes Deadline for 'Donbass' with Baselight

• Digital Garden Builds 8K HDR DIT System with Blackmagic Design

• Digital Garden Upgrades to 12G-SDI with Blackmagic Design

• DJI Zenmuse X7 Super 35 Camera Shoots Hi-Res Aerial Cinematography

• DP Joel Devlin Brings Colour & Light to ‘Broken’ on VariCam 35

• DP Tom Martin Captures More than an Image in 4K on Canon C300 MkII

• Elton John Video Productions Goes on Tour with DaVinci Resolve Studio

• ENVY Post Builds Mastering Workflows on Telestream Vantage

• FilmLight at NAB: Control and Consistency in Finishing and Delivery

• FilmLight Baselight Returns to Cold War Days for ‘The Americans’

• FilmLight Prelight Perfects Looks on Set for DoPs and DITs

• FilmLight Shows Baselight 5.0 for Avid and NUKE at IBC

• FilmLight's STUDENT Software Moves Up to Baselight v5

• Filmmakers Tame Ultra-wide Video for Taronga Zoo’s Wild Screen

• Final Cut Pro X 10.4 Hits its Stride for Editing, Colour and Finishing

• Finishing Captain Marvel - from VFX to Colour to Deliverables

• FireFly Cinema Captures 'The History of Love' in Colour

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