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• Deidre McClelland Tames the Outback with DaVinci Resolve in 'True Blue'

• Deluxe Appoints Stefan Sonnenfeld Chief Creative Officer

• Deluxe Develops High-Res HDR Workflow for Streaming Video on 'Altered Carbon'

• Deluxe Toronto Takes on 4K Post for Resident Evil’s Last Stand

• Deluxe's Global Post Pipeline Transcends Boundaries for 'Electric Dreams'

• DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood

• Digistor Adds Courses in Resolve, Cinema 4D and Adobe CC

• Digital Cube Meets Cannes Deadline for 'Donbass' with Baselight

• Digital Garden Builds 8K HDR DIT System with Blackmagic Design

• Digital Garden Upgrades to 12G-SDI with Blackmagic Design

• DJI Zenmuse X7 Super 35 Camera Shoots Hi-Res Aerial Cinematography

• DP Amanda Treyz Delivers a Supernatural Twist to ‘Treehouse’ with Blackmagic

• DP Joel Devlin Brings Colour & Light to ‘Broken’ on VariCam 35

• DP Tom Martin Captures More than an Image in 4K on Canon C300 MkII

• Elton John Video Productions Goes on Tour with DaVinci Resolve Studio

• ENVY Post Builds Mastering Workflows on Telestream Vantage

• FilmLight at NAB: Control and Consistency in Finishing and Delivery

• FilmLight Baselight Returns to Cold War Days for ‘The Americans’

• FilmLight Prelight Perfects Looks on Set for DoPs and DITs

• FilmLight Shows Baselight 5.0 for Avid and NUKE at IBC

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