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• Colourist Asa Shoul Strikes the Colour Note on Baselight

• Colourist Chris Rodgers Grades out of the Blue

• Colourist Julien Biard Takes Colour Around the World

• Colourist Lucie Barbier-Dearnley Joins Sim in New York

• Colourist Olivier Fontenay Tames Colour and Looks for ‘Lion’

• Colourist Yvan Lucas Grades through Three Decades of Cinema

• Coming Events - 4K and HDR in the Real World for Broadcast and Post

• Commercial Grading Goes On Set with DaVinci Resolve Micro Panel

• Company 3 Welcomes Steven J Scott and Expands in Hollywood

• Coney Island Returns in 'Wonder Wheel' with Integrated Colour

• Cooke 5/i Lenses and Alexa Mini Bring Cinema Style to HBO’s ‘Insecure’

• Dalet Equips AmberFin for Dolby Vision and Hardware Acceleration

• DAMsmart Asia Launches Media Supply Chain Hub in Southeast Asia

• DaVinci Resolve 12.5 Beta Launches with Editing, Colour & FX Updates

• DaVinci Resolve 14 Gains Fairlight Audio and Collaborative Editing

• DaVinci Resolve 15 Packs Fusion with Editorial, Colour and Sound Post Tools

• DaVinci Resolve Colour and Fusion Stitching Take ‘Everest VR’ to the Top

• DaVinci Resolve Races through the Decades for ‘Ford vs Ferrari’

• DaVinci Resolve Studio Brings Live Action Manga Series to Small Screens

• DaVinci Resolve Studio Defines Looks and Matches Locations for ‘Rom’

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