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• Sony PXW-FX9 and PXW-Z750 Capture High-Res, High Frame Rate HDR Video

• Sony Strengthens IP Live and 4K Production Systems at NAB

• Sony Supports Multi-Cam Live Streaming with New NXCAM & Switcher

• Sony Venice and Cooke S7/i Lenses Make a Perfect Match for 'Dead to Me'

• Sony VENICE and Crystal LED Make a Shining Debut with Cooke S7/i Lens

• Sony VENICE and FX9 Upgrades Expand HDR, Monitoring, Recording

• Sony VENICE Supports 36x24mm Full-Frame Digital Cinema Capture

• Sony XDCAM Gains Two Handheld 4K Cams with HDR, Networked Workflows

• Sony α7R III Full-Frame Camera Delivers High Resolution and Performance

• Sony’s IP Live Facility Launches for Training and Testing

• Stephen F Windon Lights ‘Fate of the Furious’ with OutSight LEDs

• Streambox Streams 360 Video Live to YouTube

• Super Bowl 2020 - NFL's 100 All Time Team

• SVT, Grass Valley and Net Insight Scale Up Remote IP Production at Ski Champs

• Swansea City AFC Streams Live to Fans with URSA Broadcast

• Symphony Produces Larger-Than-Live 4K HDR Concerts with AJA 12G-SDI

• Technicolor’s Pre-Production Studio Redefines Production, VFX and Post

• TELEFE Tunes and Controls New Studio Lighting with ARRI LEDs

• Tencent Video Goes Live with Grass Valley 4K/IP for Online Broadcast

• Timeline TV Customises Remote Live IP Production with URSA Broadcast

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