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• Chaos Corona 10 Refines Creative Controls for 3ds Max and Cinema 4D Artists

• Chaos Corona 9 for 3ds Max and Cinema 4D Redefines 3D Design and Animation

• China’s SBS Drives News Production with Vizrt Studio Automation

• ChyronHego TRACAB Gen5 Updates Tracking Algorithms, Adds AI Recognition

• Cinematographer Chooses ZEISS and Sony VENICE to Capture ‘Barbarian’

• Cinematographer Keeps Video Conferencing Quality on Track with AJA U-TAP

• Cinematographer Martin Ruhe Captures Life and Death with Cooke and ARRI

• Cinesite - Black Widow Breakdown

• Cintel Scanner and DaVinci Resolve Restore a 16mm Feature for Modern Cinemas

• Citruss Opens a World of Shopping on URSA Broadcast Workflow

• Cobalt Digital and Technicolor Join on Dynamic HDR Delivery of Live Sport

• Codex and RED 8K WEAPON Take on ‘Guardians of the Galaxy Vol. 2’

• Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65

• CODEX Media Vault Speeds Video Post Processing for Small Teams

• Codex Production Suite 4.5 Unifies On & Near-set Workflows

• Codex, Panasonic & ARRI Introduce New 4K RAW & High Bitrate Recording

• Colorfront Builds on UHD/HDR Workflows On-Set to Delivery at NAB

• Colorfront Dailies and Transkoder Gain ACES, Dolby, Apple M1, Frame.io Support

• Colorfront Demos New Streaming, Transkoder, Dolby Vision and AI Tools at IBC

• Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

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