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• James Tonkin Selects URSA Cine 12K’s Large Format for The Yardbirds Retrospective

• JVC Adds NDI|HX3 to KY-PZ510N PTZ Connected Cameras

• Leostream Manages and Secures Digital Workspace on Agora’s Global Network

• LiveU Solo PRO 4K and HEVC Portable Encoder Streams Live from Anywhere

• LUMIX S5IIX / S5II Support High Bit-Rate Video Options and Phase Hybrid AF

• Magewell USB Fusion Captures and Combines Multiple Video Sources

• Mediahaus Live Streams the Mountain Attack with SRT, 5G and URSA Broadcast G2

• Mistika VR Supports Neurological Recovery Through Visualisation

• Mo-Sys Works with Assimilate on StarTracker Integration with Live FX

• Mo-Sys’ James Uren Launches OpenTrackIO Protocol at SMPTE 2024 Summit

• Movie People Deploys Sony Cameras, LEDs and Tools for Virtual Production

• MRMC Motion Control Captures High-Speed Action Short with Precision

• MUSHANG VFX Lab Puts Virtual Production on Stage in Sydney

• NEP and EVS Bring AI-Driven Super Slow Motion to NBL Australia

• NEP UK Chooses Sony’s New HDC Cameras for Live Productions in Europe

• New ALEXA 35 Entry Model Brings Flexible Licensing and Lower-Cost Media

• New ARRI Camera Companion App Personalises Camera Control

• Panasonic 4K Cameras Capture the Light and Life of St. Michael’s Cathedral

• Panasonic AG-CX370 Camcorder is Ready for Production, Broadcast, Live Streaming

• Panasonic Brings Processing Speed to Workflows with New S Series Cameras

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