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• Unreal Engine 4.27 Advances In-Camera VFX and Cloud Workflows

• 'Everest' Returns to Large-Screen Cinemas in a New 16K Restoration

• 'Moon Garden’ Returns to Reality Using Cintel Scanner and DaVinci Resolve Studio

• 'Stage Mums' Gets a Good Look with URSA Mini 4.6K and DaVinci Resolve

• ‘Flesh and Blood’ Gets Close to the Bone with Blackmagic Design

• ‘Nufonia Must Fall’ Plays Live on Stage & Screen with Blackmagic

• ‘Shin Ultraman’ Keeps its Classic Look with Resolve’s Management and FX Tools

• ‘The Expanse’ Reveals Dramatic In-Camera Visuals with Cooke 5/i Primes

• ‘The Railway Children Return’ Revisits a Family Classic with Cooke and MRMC

• ‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses

• ‘Wings for Life’ Cuts to the Chase with Mobile 4G & OB Production

• 3500 Kelvin Works with Brompton Processing for Dynamic LED Environments

• 4K Cameras Reveal the Real Life of the Minke Whale

• 4K/UHD Panasonic PTZ Cameras Bring Symphony’s Live Streams Up to Date

• Abe Joffe Illuminates 4K for Documentary in ‘Tales by Light 2’

• Adobe Updates Photoshop, After Effects, Premiere Pro and Camera-to-Cloud

• AFP to Transmit Real-Time Photos from 2018 Tour de France with AVIWEST

• AFTRS Diplomas & Advanced Diplomas Applications Closing Soon

• AIMS Releases Drafts of VSF’s TR-10 Recommendations for IPMX

• Air Rescue Documentary Shot over the Alps on Pocket Cinema Cameras

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