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• Canon’s New EOS C80 Compact Cinema Camera Features 6K Sensor and RF Mount

• Canon’s New EOS R Cameras Focus on Fast-paced Action and Accurate Tracking

• Canon’s New RF Hybrid Lenses for EOS R Expand Options for Video and Stills

• Canon’s Optical Unit for Box Lenses Delivers Broadcast Drama and Expression

• Cinematographer Chooses ZEISS and Sony VENICE to Capture ‘Barbarian’

• Cinematographer Keeps Video Conferencing Quality on Track with AJA U-TAP

• Cloudbass Adopts Grass Valley for New IP Remote Production Vehicles

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB

• Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

• Colour and Cinematography Push Time and Place on TV Series Eric

• Colvin Theatrical Captures Live Theatre Experiences with Blackmagic

• Cooke Anamorphic/i S35 SF Lenses Pull Stories Together for Panic! At The Disco

• Cooke Lenses Capture Conflict Between Old and New in ‘The Gilded Age’

• Cooke Optics Celebrates Iain Neil's Gordon E. Sawyer Award

• Cooke S4/i Lenses Capture the Light and Atmosphere of 'The Last of Us'

• Creating a Supernatural Colour Grade for ‘Salt Along the Tongue’

• Damien Vandercruyssen Defines the Colour of Dreams for 'Bardo'

• Dante AV Supports Scalable, Flexible Networking for Broadcast and Developers

• Dante Studio 2.0 Software Improves AV Network Interoperability and Monitoring

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