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• Cooke Lenses Capture Jungles and Ice Fields for Seven Worlds, One Planet

• Cooke Mini S4/i Primes Set Two Worlds Apart for No Loss // No Gain

• Cooke Panchro/i and Sony Venice Put a Vintage Polish on a Modern Story

• Cooke Panchro/i Classic Lenses Give ‘The Chosen’ a Look for Our Times

• Cooke S7/i Full Frame Lenses Bring IMAX Close-ups Closer for ‘Cuba’

• Cooke S7/i Full Frame Lenses Clean Up Looks on ‘The Mess You Leave Behind’

• Cooke S7/i Full Frame Plus and Anamorphic/i Capture ‘The Perfection’

• Cooke S7/i Lenses and Sony Venice See Romeo & Juliet Through New Eyes

• CP and Greenlight Rely on Remote Production for Trans Am Series

• Cream VR Captures Curious Minds in VR with Micro Studio Camera 4K

• Creamsource Vortex8 LED Panel Enhances Creative Control for Productions

• CTV Vancouver Island Future-proofs with Sony HXC-FB80 Studio Cameras

• DaVinci Resolve Studio and Blackmagic RAW Solve Remote Post for Indie Film

• Dejero and Dazzl Capture, Produce and Live Stream Extreme Sports

• Dejero Keeps Latency Low to Support Real-Time Virtual Diving Comps

• Dejero Keeps Virtual Video Village Connected for Pitch 5 Productions

• Dejero’s Network Aggregation Sets ‘Wheel of Time’ Launch Event in Motion

• DI4D’s Head Mounted Camera System Captures True Facial Performance

• Digital Media World Awards Winners Announced

• DIT Eduardo Eguia Tunes Real and Virtual Looks for ‘The Mandalorian’

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