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• MPC’s Adam Valdez wins VFX Oscar for ‘The Jungle Book’

• MPC’s Sheldon Stopsack to Talk at AEAF on ‘Pirates of the Caribbean’

• Mr X Sets Love in Motion for 'The Shape of Water'

• MTI Film Tells the 'Story of Us' in Living Colour

• MTI’s DRS Nova 2.3 Updates Object Tracking for Film Restoration

• NAB 2019 - Autodesk Flame 2020 Accelerates VFX Workflows with Machine Learning

• NAB 2019 - Maxon Acquires Redshift Rendering Technologies

• Ncam Develops Depth Keying for Broadcast Augmented Reality

• Ncam's On-set Pre-vis Cracks into 'The Nutcracker and the Four Realms'

• New Holland Builds GPU-Based Pipeline on Thinkbox Deadline

• Nexus Meets the Deadline for Customised VFX and Animation Pipeline

• Nils Piirma Revs Up Auto Renders with KeyShot

• NIM 2.7 Updates Artist Time Monitoring and Flame Integration

• Nordin Rahhali and Method Studios Tame the Fantastic Beasts

• Nozon and V-Ray Navigate Photoreal 3D Spaces with VR Artists

• Nuke 11.1 Increases Control and Speed for Artists and Developers

• NVIDIA Accelerates Rendering Performance with AI

• NVIDIA Leaps Ahead with Virtual GPUs and Developer SDKs for Turing

• NVIDIA Quadro Comes to Microsoft Azure Cloud

• NVIDIA RTX with Quadro GV100 GPU Brings Real-Time Ray Tracing

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