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• Two Wheels Motor Racing and Harmonic Partner to Distribute Live Racing in Asia

• Union VFX Reconstructs a Tragic World for ‘The Tattooist of Auschwitz’

• University Station Upgrades Master Control to Nverzion Server and Automation

• V-Ray 6 for 3ds Max, update 1, Enhances Artist Control and GPU Rendering

• V-Ray 6 for Houdini Advances with Solaris, Volumetrics and Lighting Developments

• V-Ray 7 for Maya and Houdini Supports Gaussian Splats, Volumetric Shading

• Vicki Matich on Colour Grading for Authenticity in TV and Film

• Viz Libero 8.3 Automates Sports Video Cropping for Social Media

• Viz Mosart and Viz Flowics Extend Panasonic KAIROS Integration

• Viz Social’s New Flowics Interface Helps Curate Social Posts to Engage Viewers

• Viz Trio Go Combines Graphics Creation and Control for Broadcast

• Vizrt Viz Mosart Automates Sky News Arabia’s Dynamic Newsroom

• Vubiquity Unifies Metadata and Asset Management to Push Media Monetisation

• Wasabi Acquires Curio AI from GrayMeta to Develop Intelligent Storage for M&E

• Weigel Broadcasting Adopts Cloud-Based Playout-to-Delivery from Harmonic

• WeMakeColor Becomes Hybrid Baselight and DaVinci Resolve Grading Facility

• Witbe Joins Digital TV Group to Share Video Monitoring Expertise across the UK

• Witbe’s Virtual NOC Controls, Monitors and Tests Real Devices Remotely

• WNBL Works with Adobe to Amplify Basketball Indigenous Round Storytelling

• Wounded Buffalo Studio Specialises in Natural History Soundscapes on Avid

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