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• mental ray for Maya Gains Interactive Viewport Rendering and GI

• Method Studios Takes to the Sky for ‘Jumanji: The Next Level’

• Michael Wong Builds Connections with UX and Visual Design

• Mixing Artist Dave Concors Tunes Up Streaming Localization at ZOO Digital

• Mocha Pro 2020 Refines Planar Tracking Tools and VFX Colour-Management

• Modo 11.0 Updates MeshFusion Workflow, Adds Subscription Pricing

• Modo 11.1 Gains Bridge to Unreal Engine 4 and New UV Workflow

• Mosfilm and Codex Media Vault Keep Russia’s Film Industry Rolling

• Moves by MAXON Brings Facial and Body Motion Capture to Cinema 4D

• Moxion Integrates Dolby Vision into Remote HDR Reviews

• MPS Keeps R&S CLIPSTER Mastering on the Edge with SpycerNode Storage

• MR Factory and Ultimatte 12 Layer Up for 4K Virtual Production

• MR. X Unravels the World of ‘Raised by Wolves’

• MTI CORTEX v5.3.2 Upgrades IMF Mastering and Deliverables Workflows

• MTI Film Beats the Clock for Jim Henson’s 'Time Piece'

• MTI Film Updates CORTEX v5's Deliverables and QC, Lights Up an Indie Thriller

• NAB 2019 - Harmonic Virtualises Spectrum X Server for New Broadcast Opportunities

• NAB 2019 - Maxon Acquires Redshift Rendering Technologies

• Narina Sokolova Sets the Stage for Animated Storytellers

• NC University Uses IP Network to Connect Distance Learning Production

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