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  • mental ray for Maya Gains Interactive Viewport Rendering and GI

  • Method Studios Takes to the Sky for ‘Jumanji: The Next Level’

  • Michael Wong Builds Connections with UX and Visual Design

  • Mixing Artist Dave Concors Tunes Up Streaming Localization at ZOO Digital

  • Mocha Pro 2020 Refines Planar Tracking Tools and VFX Colour-Management

  • Modo 11.0 Updates MeshFusion Workflow, Adds Subscription Pricing

  • Modo 11.1 Gains Bridge to Unreal Engine 4 and New UV Workflow

  • Mosfilm and Codex Media Vault Keep Russia’s Film Industry Rolling

  • Moves by MAXON Brings Facial and Body Motion Capture to Cinema 4D

  • Moxion Integrates Dolby Vision into Remote HDR Reviews

  • MPS Keeps R&S CLIPSTER Mastering on the Edge with SpycerNode Storage

  • MR Factory and Ultimatte 12 Layer Up for 4K Virtual Production

  • MR. X Unravels the World of ‘Raised by Wolves’

  • MTI CORTEX v5.3.2 Upgrades IMF Mastering and Deliverables Workflows

  • MTI Film Beats the Clock for Jim Henson’s 'Time Piece'

  • MTI Film Updates CORTEX v5's Deliverables and QC, Lights Up an Indie Thriller

  • NAB 2019 - Harmonic Virtualises Spectrum X Server for New Broadcast Opportunities

  • NAB 2019 - Maxon Acquires Redshift Rendering Technologies

  • Narina Sokolova Sets the Stage for Animated Storytellers

  • NC University Uses IP Network to Connect Distance Learning Production

Page 17 of 26

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