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• Adobe Creative Cloud Gets Smarter, Moves Closer to the Cloud

• Unreal Engine 4.27 Advances In-Camera VFX and Cloud Workflows

• 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

• 'Everest' Returns to Large-Screen Cinemas in a New 16K Restoration

• ‘Shin Ultraman’ Keeps its Classic Look with Resolve’s Management and FX Tools

• ‘The Painted Bird’ Captures Drama of War in Black and White

• 12field Animation and Digistor Design Remote 2D Production Pipeline

• 24i and Amino Power The Netherlands’ First Android TV Service for Youfone

• 3ds Max 2021 Adds PBR and Texture Workflows, Python 3 Integration

• 3ds Max 2021.3 Improves Remeshing Controls, Launches Retopology v1.0

• 3ds Max and Arnold Bring Interactivity and More Speed to 3D Workflows

• 5G-VIRTUOSA Project Completes Initial IP Standards-based Studio Set-Up

• 99designs' Adobe Stock Integration Accesses Millions of Images

• Abu Dhabi Media Shifts to Hybrid SDI/IP and UHD with Imagine

• Academy Software Foundation Launches Open Source Forum 2023

• Academy Software Foundation OpenVDB Adds GPU Support with NanoVDB

• Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’ 

• Adobe Acquires Allegorithmic 3D Texturing and Materials Authoring

• Adobe After Effects Adds Lighting Correction to Content-Aware Fill

• Adobe After Effects and Premiere Pro Get Smarter, More Efficient

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