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• Blackmagic Supports NOVO19’s Resilent, Remote Production at Capta Center

• Blackmagic URSA and ATEM Stream Delicious S.Pellegrino Young Chef Finale

• Blackmagic URSA Cine 12K Joins ‘Caper Crew’ for ABC’s New Kids’ TV Series

• Blackmagic URSA Cine 12K LF Captures Lives of Children in Light and Shadow

• Blackmagic URSA Cine 17K 65 Layers Depth and Contrast in ‘To Fly or Float’

• Blackmagic URSA Mini Pro 12K OLPF Preserves Colour and Detail in High Res Video

• BlackStar Group Uses AJA BRIDGE LIVE to Keep up with Esports Broadcasts

• Blue Lucy and VSI Group Renew Automated Localisation Partnership

• BlueBolt Delivers Authentic VFX for Period Drama ‘My Policeman’

• BlueBolt Recreates Historic Battles in Toulon and Paris for ‘Napoleon’

• BlueBolt Shines New Light on the Dark Tale of Nosferatu

• Boris FX Sapphire 2026 Takes Inspiration from Physical Media

• Boris FX SynthEyes 2025 Updates 3D Tracking with AI/ML Efficiency and Speed

• Box to Box Works with MediaSilo to Manage and Review Works in Progress

• Brahma Aquires Metaphysic to Speed Development of AI-Native Product Suite

• Brent Crockett ACS Elected Australian Cinematographers Society President

• Bridge Technologies Adds Ancillary Data Synchronisation for Metadata Alignment

• Bridge Technologies Debuts sADM Monitoring of Immersive Audio in Live Production

• Bridge Technologies Demos IPMX Monitoring and Interoperability at NAB2026

• Bridge Technologies Develop PTS/PCR Time Checks and Alarms for IP Delivery

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