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• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB

• Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

• Colorfront Develops New AI Tools and Automation for Mastering and QC

• Colorfront Shows HDR Cinema Mastering Tools at CineEurope 2025

• Colorfront Transkoder Achieves HDR Vivid Colour-Grading Award for Mastering

• Colorfront Upgrades SDR/HDR Video Mastering and Streaming Workflows

• Colorfront’s Reference-Grade Remote Reviews Perfect Colour Workflows

• Colour and Cinematography Push Time and Place on TV Series Eric

• Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Colourist Sam Chynoweth Creates a Look in the Mirror for Black Mirror Season 7

• Colourist Sam Chynoweth Recreates Looks from the Past for Black Mirror Series 7

• Colourist Sam Chynoweth Walks the Line from Memory to Life for Black Mirror

• Colourist Sean Dunckley Joins Goldcrest Post's Senior Creative Team

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• Comprimato Live Transcoder Adds JPEG-XS for Broadcast Contribution

• Conductor Cloud Render Platform Now Supports SideFX Houdini

• Cooke Anamorphic/i S35 SF Lenses Pull Stories Together for Panic! At The Disco

• Cooke Optics Celebrates Iain Neil's Gordon E. Sawyer Award

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