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• Cinegy Daniel2 Speeds High-res Production in Adobe Creative Cloud

• Cinematographer Martin Ruhe Captures Life and Death with Cooke and ARRI

• Cinesite Creates a Day in the Life of Nottingham for ‘Robin Hood’

• Cinesite Partners with Trixter VFX and Animation Studio

• Clique TV Produces Content for Digital-Native Viewers with EVS DYVI

• Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65

• Codex, Panasonic & ARRI Introduce New 4K RAW & High Bitrate Recording

• Colorfront Builds on UHD/HDR Workflows On-Set to Delivery at NAB

• Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows

• Colorfront Expands Large Format Support and UHD/HDR Tools at IBC2018

• Colorfront Shows 8K HDR and Dolby Atmos Support at NAB 2019

• Colourist Julien Biard Takes Colour Around the World

• Coming Events - 4K and HDR in the Real World for Broadcast and Post

• Comprimato – Fast, Efficient Compression Preserves Quality & Space

• Coney Island Returns in 'Wonder Wheel' with Integrated Colour

• Convergent Design Elements Simplify Multi-Cam Recording & Switching

• Convergent Design Extends Formats and Functions for Apollo & Odyssey

• Cooke Anamorphic/i Brings ‘Peaky Blinders’ into the World of 4K Cinema

• Cooke Anamorphic/i Metadata Gives TV Series ‘Valkyrien’ a New Life

• Cooke Anamorphic/i SF Lenses Bring Flare to a Dark History

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