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• Canon's Mirrorless, Full Frame 4K EOS R System Pushes Lens Performance

• Capturing a Day in the Country with the Canon EOS C700

• CCMI Live Streams Social Justice Video through Matrox Monarch HD

• Chaos Group’s Cloud Renderer Opens for 3D Artists and Designers

• Chaos Group’s RTX Support Accelerates V-Ray Next for 3ds Max and Maya

• Chimney Collaborates with Zombies and Artists in Real Time via Resolve Studio

• China Integrates 4K OB Production with Blackmagic 12G-SDI Workflows

• China’s SBS Drives News Production with Vizrt Studio Automation

• ChyronHego CAMIO 4.4 Graphics Renderer Unifies Linear and OTT Delivery

• ChyronHego to Integrate Epic Games' Unreal Engine for AR and Virtual Sets

• Cinegy Capture 14 Unifies Ingest and Transcode for Video Workflows

• Cinegy Daniel2 Speeds High-res Production in Adobe Creative Cloud

• Cinematographer Martin Ruhe Captures Life and Death with Cooke and ARRI

• Cinesite Creates a Day in the Life of Nottingham for ‘Robin Hood’

• Cinesite Partners with Trixter VFX and Animation Studio

• Cinesite Vancouver Animates a New World For ‘The Addams Family’

• Clique TV Produces Content for Digital-Native Viewers with EVS DYVI

• Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65

• Codex, Panasonic & ARRI Introduce New 4K RAW & High Bitrate Recording

• Colorfront Builds on UHD/HDR Workflows On-Set to Delivery at NAB

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