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• Tencent Video Goes Live with Grass Valley 4K/IP for Online Broadcast

• The HELM Looks Ahead to the Broadcast Production Future with ALEXA 35 Live

• Trans Am Series Puts Fans in the Driver’s Seat with LiveU 5G Video Transport

• TV 2 Works with NEP, DMC and EVS to Cover Norway’s Top Sports Portfolio

• Ultimatte 12 4K Accelerates Green Screen Virtual Productions at CoPilotXR

• URSA Broadcast G2 Keeps Pentatonix under the Spotlight for Hybrid Concert

• URSA Mini Pro 12K Captures Girls in Motion for Kunzite’s Music Video

• Videocraft Upgrades to FUJINON 4K Lenses for Broadcast, Sport and Live Events

• Vietnam Moves Up to its First 4K OB Van, Built on Sony Gear

• Viz Libero 8.1 Brings AI, Fresh Graphics and Cloud Compatibility to Sports Video

• Vizrt Automates Software-Defined Switching and Multi-Platform Delivery

• ZEISS Camera Tracking Supports a Wider Array of Cine and Broadcast Lenses

• ZEISS Develops One-Click Approach to Virtual Lenses for VFX and Compositing

• Zero Density Welcomes New CEO Ofir Benovici

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