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• Sony HDC-4800 4K/HFR and FUJINON Capture End Zone Close-Ups for ESPN

• Sony HDC-F5500 and FUJINON Bring Cinematic Looks to Gateway Church

• Sony HDC-F5500 Super 35mm Shoots Live Events with Cinematic Looks

• Sony HDC-P31 POV Camera Gets Set for Remote and HDR Workflows

• Sony HXR-NX80 and PXW-Z90 Camcorders Now Simplify Live Streaming

• Sony IP Live Increases Interoperability, HDR and High-res for IP Production

• Sony Launches New System Camera, Updates Cloud Production Workflows

• Sony Leads the Way for SKY Perfect JSAT’s 4K/HDR Studio Transition

• Sony ODAs Accelerate Archive and Retrieval for TV & Documentary

• Sony PTZ Cameras Deliver a Visual Radio Experience at RTL Belgium

• Sony Pushes HDR Support across Cameras and Production Gear

• Sony PXW-FS7 MkII Adds Variable ND and E-Mount

• Sony PXW-FX9 and PXW-Z750 Capture High-Res, High Frame Rate HDR Video

• Sony Strengthens IP Live and 4K Production Systems at NAB

• Sony Supports Multi-Cam Live Streaming with New NXCAM & Switcher

• Sony Updates IP, Cloud, Video Systems for Flexible, Scalable Workflows

• Sony UWP-D Wireless Receiver Features Digital Audio Interface and NFC Sync

• Sony VENICE 2 Features Interchangeable 8.6K Sensor Block, Internal Recording

• Sony Venice and Cooke S7/i Lenses Make a Perfect Match for 'Dead to Me'

• Sony VENICE and Crystal LED Make a Shining Debut with Cooke S7/i Lens

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