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• Panavision's Michael Cioni Exposes the Millennium DXL2

• Papertown Shoots Inside a Virtual Hangar Using Mo-Sys Onset VP Services

• Peter Beeh Takes to the Sky with Sony F5s for New Year’s Blast

• Phase One iX Capture 3.0 Highlights Control and Processing for Aerial Shoots

• Phillip Youmans Wins Tribeca Award for Film Shot on URSA MiniPro 4.6K

• Photographer's Year-long Road Trip Captures 59 National Parks

• Pocket Cinema Camera 6K and ATEM Mini Pro Turn into a Crew in a Box

• PRG and MADO XR Build Virtual Production Studio-xR in France

• Producing VR-Native Stories to Drive Today's Immersive Media

• Qoncept Tracks Baseball Pitches in Real Time with DeckLink SDI Micro

• Qvest Media Commits to Live 4K and IP Production with Grass Valley

• RED and Panavision Reveal High-Resolution, HDR Development

• RED to Release New Image Processing & 8K Cameras

• Relying on Low Latency for Remote Broadcast Acquisition and Contribution

• Riedel Keeps Esports Production in Control at ESL One and PUBG Mobile

• RiversideTV Gets Creative with JVC PTZ Production Cameras

• Rotolight Anova Pro 2 Lights TV, Film and Stills with Precision and Style

• Rotolight LEDs and CineSFX Illuminate Film Stars in Liverpool

• Rotolight NEO 2 Light Combines HSS Flash and Continuous LED

• Royal Ascot Keeps Pace with Evertz DreamCatcher and RaceTech’s Winning Line

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