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• Ben Allan Final Cut Pro X 10.4 Review

• Ben Gervais Walks the Line for 120P 4K Master on ‘Billy Lynn’

• Blackbird Takes Flight for Fast, Cloud Native Video Publishing

• Blackmagic Design & Goldcrest Post Set the Pace on ‘Jason Bourne’

• Blackmagic Design Takes On Ultimatte and Fairlight

• Blackmagic RAW Preserves Camera Quality, Speeds Post Processing

• Blackmagic URSA & DaVinci Resolve Workflow Rearranges a Marriage

• Blue Lucy's Plug-in Update Gives Premiere Pro Editors a Head Start

• Bluefish444 Develops RESTful API Support for IngeSTore Software

• Bluefish444 Epoch I/O Cards Support Foundry Nuke and Unity

• Bluefish444 Video-over-IP Software API Supports SMPTE 2022

• Boris FX Updates Keying, Tracking and 360 Video Optimization

• Chaos Czech Builds Instant Caustics into Corona Renderer 4 for 3ds Max

• Chaos Group Acquires Render Legion and Corona Renderer

• Chaos Group Demos New Real-Time Ray Tracing Project Lavina

• Chaos Group Gets Behind Cinema 4D with Two Dedicated Renderers

• Chaos Group's New Blog Series to Reveal V-Ray Next Beta

• Chaos Group's New GPU Render Architecture Speeds Production Renders

• Chaos Group’s Cloud Renderer Opens for 3D Artists and Designers

• Chaos Group’s V-Ray Renderer Wins Academy Award

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