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• Bannister Lake Releases Chameleon 10, Stars at FIA Gran Turismo

• Baselight 5.3 Upgrades Colour Control and Processing for Artists

• Baselight Colourist Gareth Spensley at Co3 Grades The French Dispatch

• BBC Street and Youngster Modernise Colour with New Baselight Workflows

• BBC Studioworks Builds an IP/HDR Future with Imagine Communications

• Ben Allan Final Cut Pro X 10.4 Review

• Ben Gervais Walks the Line for 120P 4K Master on ‘Billy Lynn’

• Binyan Uses 3ds Max to Bring Drama and Storytelling to ArchViz Projects

• Black Box Live’s Blackmagic Design Workflow Keeps Regional Theatre Alive

• Blackbird Takes Flight for Fast, Cloud Native Video Publishing

• Blackmagic DaVinci Resolve 16.2 Gets Updated to the Speed of Sound

• Blackmagic Design & Goldcrest Post Set the Pace on ‘Jason Bourne’

• Blackmagic Design Captures and Finishes ‘Single Mother by Choice’ for HBO Max

• Blackmagic Design Takes On Ultimatte and Fairlight

• Blackmagic Gear Creates a Live Set-within-a-Set for ‘The Cleansing Hour’

• Blackmagic Keeps Short Film ‘Sisters’ Together from Production to Post

• Blackmagic Pocket Cinema 6K and Resolve Take Indie Film to SXSW in Style

• Blackmagic Pocket Cinema Camera 4K Captures Indie Projects

• Blackmagic RAW Preserves Camera Quality, Speeds Post Processing

• Blackmagic RAW Workflow Takes ‘Classmates’ from Set to Post

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