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John Daro Masters the Power of Colour from Science to Storytelling
NEP UK Chooses Sony’s New HDC Cameras for Live Productions in Europe
PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers
PHABRIX QxL Rasterizer Supports Wider Expertise in IP/UHD at Q3 Media Training
QTAKE Pro 2.2 Adds On-set Dolby Vision and Forensic Watermarking Workflows
Reuters Equips Worldwide Video Journalist Team with Sony Cameras
RTVE Renews Broadcast Training Studios with Sony Mixers and Cameras
SMPTE Paper Investigates Dynamic Tone Mapping for HDR/SDR Production
Sony BRC-AM7 4K 60p PTZ Camera Features AI Tracking and Auto Framing
Sony XVS-7000 Switchers Lead Mediaset’s Live Production Migration to IP
Spin Digital Integrates Zixi Protocol and Services for 4K/8K Immersive Video
Stage Sound Services Brings Brompton Colour and INFiLED Screens to Live Theatre
TAG Develops Automatic Subtitle Language Detection and New Control Interface
Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’
The Rebel Fleet Works On Set with AJA for Assist, DIT and Dailies Workflows
Time in Pixels and AJA Push Ahead with Video Analysis for Post
Versatile Video Coding VVC Set for a Year of Advances in 2024
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