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Blackmagic Design
  • disguise Adopts ACES, DLSS, DirectX12 to Enhance Unreal Engine Integration

  • Dome Productions Acquires Sony PVM-X Monitors for 4K / HDR Production

  • Doug Delaney Grades the Divergent looks of Love, Death + Robots, Volume 2

  • EditShare Updates QScan Automated for Video QC Compliance and Analysis

  • EI Towers Deploys Scalable Imagine SDI/IP Workflow for Italy’s Lega Serie A

  • EIZO HDR Reference Monitor Includes Built-In Calibration and SDI Connectivity

  • Eizo to Hold Webinar on Getting Started with HDR Video

  • Elite Media Perfects Colour and Mastering on Sony BVM-HX310 Monitor

  • Euro Media Group Customises Standardised IP Platform for Live Sports

  • Evolutions Upgrades to 4K HDR Post and Colour with MTI, Sony, Calman

  • Filmhouse Upgrades to New R&S CLIPSTER for 2021 Edinburgh Film Festival

  • FilmLight Baselight 6.0 Modernises Timeline and Look Development for Colourists

  • FilmLight Opens Entries for 2023 FilmLight Colour Awards

  • Filmmakers Chase ‘Sons of Summer’ with Blackmagic Camera-to-Post Workflow

  • Filmmakers Take the Leap into Space with Blackmagic for 'When We Were Shuttle'

  • Films at 59 Centralises and Scales Up Storage on Pixit Media’s PixStor

  • Finishing Captain Marvel - from VFX to Colour to Deliverables

  • Focussing on the Facts about Haivision’s Secure Reliable Transport

  • Fox Sports and EVS Play the Game for NFL’s First HDR Super Bowl

  • FOX Sports Deploys AJA FS-HDR for Cinematic MLB Broadcast

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