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• Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

• 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

• ‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses

• 4K Garden Advances 4K HDR Production with AJA Analysis and Processing

• AJA FS-HDR Delivers Simultaneous HDR / SDR for FA Cup Final at Arena

• AJA Launches Io X3 Thunderbolt 3 Video I/O, Updates Desktop Software to v16.2

• AJA T-TAP Pro and Desktop Software v16 Increase Compatibility, Connectivity

• AJA Updates FS-HDR with New BBC HLG LUTs and Colorfront Engine Mode

• AJA Upgrades FS-HDR Real-Time HDR/WCG Converter and Frame Sync

• AJA Upgrades FS4 and BRIDGE LIVE for New HDR and Live Workflows

• Al Kass Sports Adopts Nevion for Media Exchange and Migration to IP

• Aljoscha Hoffmann Charts New Territory in Colour on Baselight

• AMD Launches Five New Ryzen Threadripper Processors, plus Radeon PRO GPU for Mac Pro

• Andy Elliott Colours True Stories at Directors Cut Films

• Anevia, Intel and NVIDIA Optimise Performance and Cost of OTT Video Encoding

• ARRI ALEXA 35 4K Camera Launches with New Sensor and Colour Science

• ARRI Stellar Adds Live Sync and iCloud Backup for Lighting Controls

• ASC Releases ‘The Mission’ Short Film as Test Content for Filmmakers

• ATEME and The Explorers Launch First OTT Channel via VVC, Naturally

• Auto Tone Gives Adobe Premiere Pro Editors a Head Start in Colour

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