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Blackmagic Design
Maxon
  • Baselight Team Tackles High Frame Rate, High-Res Finish for ‘Gemini Man’

  • 'Dumbo' from Camera to Post – ARRI, Codex and DaVinci Resolve

  • ‘Top Boy’ Returns to London with ALEXA LF and Cooke S7/i Prime Lenses

  • 4K Garden Advances 4K HDR Production with AJA Analysis and Processing

  • AJA FS-HDR Delivers Simultaneous HDR / SDR for FA Cup Final at Arena

  • AJA Launches Io X3 Thunderbolt 3 Video I/O, Updates Desktop Software to v16.2

  • AJA T-TAP Pro and Desktop Software v16 Increase Compatibility, Connectivity

  • AJA Updates FS-HDR with New BBC HLG LUTs and Colorfront Engine Mode

  • AJA Upgrades FS-HDR Real-Time HDR/WCG Converter and Frame Sync

  • AJA Upgrades FS4 and BRIDGE LIVE for New HDR and Live Workflows

  • Al Kass Sports Adopts Nevion for Media Exchange and Migration to IP

  • Aljoscha Hoffmann Charts New Territory in Colour on Baselight

  • AMD Launches Five New Ryzen Threadripper Processors, plus Radeon PRO GPU for Mac Pro

  • Andy Elliott Colours True Stories at Directors Cut Films

  • Anevia, Intel and NVIDIA Optimise Performance and Cost of OTT Video Encoding

  • ARRI ALEXA 35 4K Camera Launches with New Sensor and Colour Science

  • ARRI Stellar Adds Live Sync and iCloud Backup for Lighting Controls

  • ASC Releases ‘The Mission’ Short Film as Test Content for Filmmakers

  • ATEME and The Explorers Launch First OTT Channel via VVC, Naturally

  • Auto Tone Gives Adobe Premiere Pro Editors a Head Start in Colour

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