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• Anevia, Intel and NVIDIA Optimise Performance and Cost of OTT Video Encoding

• ARRI ALEXA 35 4K Camera Launches with New Sensor and Colour Science

• ARRI Stellar Adds Live Sync and iCloud Backup for Lighting Controls

• ASC Releases ‘The Mission’ Short Film as Test Content for Filmmakers

• ATEME and The Explorers Launch First OTT Channel via VVC, Naturally

• Ateme Powers Expansion of Skymedia OTT Service in Mongolia

• Auto Tone Gives Adobe Premiere Pro Editors a Head Start in Colour

• Autodesk Flame Speeds up 4K/UHD, Conform and HDR Workflows

• Avid NEXIS | F2 Fast, Scalable Storage Brings Flexibility to High-Resolution Post

• Aximmetry Launches Virtual Studio Software for Unreal Engine Users

• b>com and EVS Use Adaptive HDR Conversions to Improve Video QoE

• Baselight 5.3 Upgrades Colour Control and Processing for Artists

• Baselight X Recreates 1930s Hollywood in Black and White for ‘Mank’

• BBC Street and Youngster Modernise Colour with New Baselight Workflows

• Bending the Rules for ‘Tales from the Loop’

• Bild Studios’ MARS Volume and Brompton Make Virtual Production Accessible

• Bitmovin’s VOD Encoder Puts Audience Experience First for Video Streaming

• Blackmagic In-Camera VFX and Resolve Workflow Bring Fantasy to Life on Set

• Blackmagic RAW 1.5 and Video Assist 12G Update Capture and Compression

• Blackmagic RAW Workflow Takes ‘Classmates’ from Set to Post

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