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Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65
Colorfront Dailies and Transkoder Gain ACES, Dolby, Apple M1, Frame.io Support
Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows
Colorfront Develops Near Real-time ACES Pipeline for HDR Production
Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows
Colorfront Express Dailies 2020 Subscription and New Mac Pro Lower Costs On-Set
Colorfront Paves the Way for Remote, Colour-Accurate 4K HDR Post
CTV Vancouver Island Future-proofs with Sony HXC-FB80 Studio Cameras
Dalet Equips AmberFin for Dolby Vision and Hardware Acceleration
DaVinci Resolve 17.4 Gets Apple M1 Acceleration, Automates Colour Management
DaVinci Resolve 18 Hosts Projects in the Cloud, Adds Proxy Workflow
DaVinci Resolve 18.1 Upgrades Social Media Output, Audio and Smart Tools
DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience
DaVinci Resolve Captures a ‘Streetwise’ Look at Life in Modern China
DaVinci Resolve Studio Keeps the Story Together on ‘Red Notice’
DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood
Digital Film Technology Appoints Gunter Weidlich as Managing Director
disguise Adopts ACES, DLSS, DirectX12 to Enhance Unreal Engine Integration
Dome Productions Acquires Sony PVM-X Monitors for 4K / HDR Production
Doug Delaney Grades the Divergent looks of Love, Death + Robots, Volume 2
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