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Blackmagic Design
Newtek 23
  • Codex HDE Pushes ‘I Am Woman’ to Large Format RAW capture on ALEXA 65

  • Colorfront Dailies and Transkoder Gain ACES, Dolby, Apple M1, Frame.io Support

  • Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

  • Colorfront Develops Near Real-time ACES Pipeline for HDR Production

  • Colorfront Engine 2019 Upgrades Post with 8K HDR Camera-to-Screen Workflows

  • Colorfront Express Dailies 2020 Subscription and New Mac Pro Lower Costs On-Set

  • Colorfront Paves the Way for Remote, Colour-Accurate 4K HDR Post

  • CTV Vancouver Island Future-proofs with Sony HXC-FB80 Studio Cameras

  • Dalet Equips AmberFin for Dolby Vision and Hardware Acceleration

  • DaVinci Resolve 17.4 Gets Apple M1 Acceleration, Automates Colour Management

  • DaVinci Resolve 18 Hosts Projects in the Cloud, Adds Proxy Workflow

  • DaVinci Resolve 18.1 Upgrades Social Media Output, Audio and Smart Tools

  • DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience

  • DaVinci Resolve Captures a ‘Streetwise’ Look at Life in Modern China

  • DaVinci Resolve Studio Keeps the Story Together on ‘Red Notice’

  • DI Colourist Sam Chynoweth Takes a Colour Trip to Bollywood

  • Digital Film Technology Appoints Gunter Weidlich as Managing Director

  • disguise Adopts ACES, DLSS, DirectX12 to Enhance Unreal Engine Integration

  • Dome Productions Acquires Sony PVM-X Monitors for 4K / HDR Production

  • Doug Delaney Grades the Divergent looks of Love, Death + Robots, Volume 2

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