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• DaVinci Resolve and Fusion 19.1 Update Multi-cam, Audio and VFX Workflows

• DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience

• DaVinci Resolve Brings New Zealand’s 'Shortland Street' into the Streaming Era

• DaVinci Resolve Edits and Grades Vibrant Fantasy in ‘Rains Over Babel’

• DaVinci Resolve Studio Takes an Editorial Role on Anime Feature ‘Look Back’

• Deltatre Adopts Imagine IP Network to Deliver Live Graphics for Lega Serie A

• Digital Domain Appoints Sudhir Reddy President of Global VFX Business

• Discovering SMPTE’S METexpo 2024 from Control Room to Cloud

• Dreamtek Deploys Blackmagic for Complex Live Production and Post Workflows

• DuckoChan Projekt Captures Natural Beauty with Blackmagic Camera Workflow

• DVEO RTX 5090 AI Servers to Power 1Legion’s GPU Cloud Platform

• Ease Live and ServusTV Upgrade the Viewing Experience for UEFA EURO 2024

• EditShare Advances Analytical AI and NVMe for Broadcast and Post Workflows

• EditShare Announces Brad Turner as New Chief Executive Officer

• EditShare EFS Centralises Storage and Media Management at Last Cut Media

• EditShare EFS NVMe Expands Media Infrastructure at Leeds Trinity University

• EditShare EFS Unifies Post Production Storage at Clear Cut Pictures

• EditShare Opens the Way to Flexible Post Workflows at Azimuth

• EditShare’s Storage Enhances 4K and Remote Workflows at EGG Post & VFX

• EIZO Brings SDI I/O to Colour Management Monitoring for Broadcast and Video

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