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• Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• CP Communications Takes 2023 TCS New York City Marathon to the Cloud

• Creating a Supernatural Colour Grade for ‘Salt Along the Tongue’

• Cricket Australia Adopts Dalet Flex to Enhance Monetisation and Fan Experience

• Dalet Flex Optimises Monetisation with Fast Deployment and Scalability

• Dalet Pyramid Updates and Expands News and Editorial Systems at RNZ

• Dalet Transforms Italy’s Premier Football League into a Sports Media Enterprise

• DaVinci Resolve 20 Upgrades with AI-Driven Tools, Audio and Cloud Innovation

• DaVinci Resolve and Blackmagic Cloud Support Frida’s Remote Post Workflow

• DaVinci Resolve and Fusion 19.1 Update Multi-cam, Audio and VFX Workflows

• DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience

• DaVinci Resolve Brings New Zealand’s 'Shortland Street' into the Streaming Era

• DaVinci Resolve Edits and Grades Vibrant Fantasy in ‘Rains Over Babel’

• DaVinci Resolve Studio Takes an Editorial Role on Anime Feature ‘Look Back’

• Deltatre Adopts Imagine IP Network to Deliver Live Graphics for Lega Serie A

• Discovering SMPTE’S METexpo 2024 from Control Room to Cloud

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