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• ‘The Brutalist’ Under the Skin – Post Workflows with Signiant Media Shuttle

• 3500 Kelvin Works with Brompton Processing for Dynamic LED Environments

• Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’ 

• Adobe Brings Major Updates to Frame.io, Firefly, Photoshop at NAB, Adobe MAX

• Adobe Firefly Adds Structure Reference Functionality for Creative Control

• Adobe Launches Firefly Video Model, Ready for New Creative Cloud Applications

• Adobe Lightroom Adds Generative Remove and Lens Blur Based on Firefly AI

• Adobe Premiere Pro and After Effects Gain Speed and Intelligence for Video Post

• Adobe Saves Time with Updates in Premiere Pro, After Effects and Frame.io

• Adobe Updates Premiere Pro Colour Management and After Effects 3D Workspace

• Adobe Visualises a New Audio Editing Workflow for Premiere Pro

• Aidan Stanford Brings Colour to 'Interior Chinatown' in DaVinci Resolve Studio

• AJA Diskover Simplifies Data Processing, Search and Storage at IDC

• AJA Io 4K Plus Adapts to New On-set Assist Workflows at Video Village Miami

• AJA Ki Pro Captures Live Events Right the First Time for Sterling Event Group

• AJA Launches Io X3 Thunderbolt 3 Video I/O, Updates Desktop Software to v16.2

• Alley Theatre Produces Remote Digital Performances with Resolve Studio

• Alvin Cruz Joins JAMM Visual as New Creative Director

• AMD’s Ryzen Desktop Processors Power AI PCs for Content Creation and Gaming

• Anime Series LUPIN ZERO Gets a Perfect Cut and Finish in DaVinci Resolve Studio

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