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• VFX Photography Takes a New Angle with the Blackmagic URSA Mini 4.6K

• VFX Students at AIE Get Hands-on with Virtual Production

• VFX Studio Kevin Welcomes Mike Dalzell, Theo Maniatis and Carl Loeffler

• VFX Supervisor Artemis Oikonomopoulou Joins Cinesite London

• Vicon Shōgun 1.3 Brings Real-Time Body Tracking Down to the Fingertips

• Videohouse Brings Subtitles in Line with PBT EU SubtitleNEXT

• Vine FX Creates Future Motion Graphics FX for AMC’s ‘Soulmates’

• Vine FX Shifts Time and Place with Authentic VFX for ‘The Serpent’

• ViSo Video Uses Ultimatte 12 for AR Productions inside Virtual Sets

• Voxx Studios Localises Film and TV with Facilis HUB Storage

• VR Test Centres Open to Rock the World of Virtual Reality

• VSI Paris / Chinkel SA Automates Post Workflows on Telestream’s Vantage

• Wacom Cintiq Pro 24 Tunes Colour Accuracy and Pressure Sensitivity

• Wacom Pro Pen 3D Puts 3D Modelling and Design at Your Fingertips

• WCPMedia Handles Cloud-Based Dailies, Transcodes & Viewing for ‘The Young Pope’

• Weta Digital Partners with Autodesk on WetaM Cloud Production Pipeline

• WetaM Cloud-based Pipeline as a Service

• What’s New in Autodesk 3ds Max and Maya - Webinar

• Windmill Lane Adopts EditShare EFS Tiered Storage for Post

• Windmill Lane Sees the World in Colour with FilmLight

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