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• MAXON One Brings Updates to Cinema 4D, Redshift and Red Giant Software

• Maxon One Integrates Redshift with ZBrush, Optimises Trapcode Particles

• Maxon One Update Introduces New Maxon Capsules and Redshift Shaders

• Maxon One Updates Simulation, Volumes, Colour for Cinema 4D and Redshift

• Maxon One Upgrades from 3D Modelling to Motion Design to Unreal Integration

• Maxon Redshift Gains Support for OpenColorIO v2

• Maxon’s Imperfections Create Perfectly Photoreal 3D Surfaces

• Maya 2019 Speeds Playback and Look Development for Animators

• Maya 2020 and Arnold 6 Upgrade Animation, Bifrost and Arnold GPU

• Maya 2020.4 Extends Bifrost Across Content Creation Pipeline

• Media Workflow Storage Shifts Gear Toward Archive-as-a-Service

• Meeting the Demand for Localised Film, TV and Online Content

• Memnon Appoints Marcelle Quinn Williams to Help Safeguard Māori Heritage

• mental ray for Maya Gains Interactive Viewport Rendering and GI

• Method and Luma Open Up for Six-Month Paid VFX Placements

• Method Studios Dance Up a Storm for Japan's DoCLASSE

• Method Studios Stages an Uprising for 'Outlaw King'

• Method Studios Takes AWS Cloud Rendering to the Next Level

• Method Studios Takes to the Sky for ‘Jumanji: The Next Level’

• Method Studios to Acquire VFX Company Atomic Fiction

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