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• Singapore Short Film Qualifies for Oscars with Flying Colours

• Six VFX and Post Stars Join The VFX & Post Talent Agency

• Skyhouse Scales Cloud Rendering on Digistor’s Onboarding Package

• SMPTE and DPP Collaborate on Draft of First SMPTE Specification

• SMPTE17 Extends Early Bird Discounts to 30 June

• Sohonet Acquires Exchange Communications to Connect Productions

• Sohonet ClearView Flex Supports 10-bit Colour and 5.1 Surround Sound

• Sohonet ClearView Pivot Lite Takes Home True 4K Remote Reviews

• Sonnet’s SSD PCIe 3.0 Card Includes RAID Controller, 10Gbps USB-C Port

• Sony Adds 4K XDCAM 2/3-in PXW-Z450 & 4K/HDR OLED Monitor

• Sony AXS-R7 Recorders Speed PMW-F55 4K Workflows at Venture Films

• Sony BVM-X300 4K OLED to Gain HDMI Input and HDR Functionality

• Sony C3 Portal Connects Cameras to Cloud for Remote Production

• Sony ODAs Accelerate Archive and Retrieval for TV & Documentary

• Sony Pushes HDR Support across Cameras and Production Gear

• Sony PXW-FX9 and PXW-Z750 Capture High-Res, High Frame Rate HDR Video

• Sony TRIMASTER Expands to Portable 1,000 nit UHD/HDR Monitors

• Sony Updates IP, Cloud, Video Systems for Flexible, Scalable Workflows

• Sony Venice and Cooke S7/i Lenses Make a Perfect Match for 'Dead to Me'

• Sony VENICE and Crystal LED Make a Shining Debut with Cooke S7/i Lens

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