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• DIT Eduardo Eguia Tunes Real and Virtual Looks for ‘The Mandalorian’

• DJI Zenmuse X7 Super 35 Camera Shoots Hi-Res Aerial Cinematography

• DNEG Builds a Better Cyborg for ‘Alita’

• DNEG Builds Robots, Vehicles, Explosions in the World of Westworld 3

• DNEG Creates a Dog’s Life for ‘Togo’

• DNEG Flies the Final Mission for ‘Catch 22’

• DNEG Makes a Bigger Splash for 'The Meg'

• DNEG ReDefines VFX Services for Expanding International Markets

• DNEG Takes Home the VFX Oscar for ‘First Man’

• Dolby Laboratories Receives IBC2017 International Honour for Excellence

• DP Amanda Treyz Delivers a Supernatural Twist to ‘Treehouse’ with Blackmagic

• DP Joel Devlin Brings Colour & Light to ‘Broken’ on VariCam 35

• DP Lara Damiani Goes the Extra Mile for Video with a Conscience

• Duplitech Brings Old and New Film Projects to Life with Cintel Scanner 2

• E-on PlantCatalog Cultivates 3D Procedural Vegetation for 3D Artists

• e.d. films Helps Artists Create 3D Scenes from Photoshop Files

• Editors Build Style, Voice and Storytelling Skills with Avid Media Composer

• EditShare Academy is Now Open for Registration

• EditShare and Adobe Editors Collaborate on Remote Productions

• EditShare and Helmut Extend Automation and Control for Premiere Pro Workflows

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