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• V-Ray 6 for Houdini Advances with Solaris, Volumetrics and Lighting Developments

• V-Ray 6 for Maya Adds Artist Control Over Skies, Render Time, USD Pipelines

• V-Ray for Unreal Supports Native Materials for Real-time Raytracing

• V-Ray Next for Maya Develops Scene Intelligence, Faster Interactivity

• V-Ray Next for SketchUp Accelerates Photoreal Renders for Designers

• V-Ray Wins 2021 Engineering Emmy for Ray-Traced Rendering

• Varicam 35 Captures 4K Video for BBC’s New Hybrid Kids’ TV Series

• VFX and Animation Studio DNEG Brings New Opportunities to Bangalore

• VFX and Animation Studios Iloura and Method Merge in Australia

• VFX Artists Touch Heaven and Earth for 'Thor: Ragnarok'

• VFX Photography Takes a New Angle with the Blackmagic URSA Mini 4.6K

• VFX Students at AIE Get Hands-on with Virtual Production

• VFX Studio Kevin Welcomes Mike Dalzell, Theo Maniatis and Carl Loeffler

• VFX Supervisor Artemis Oikonomopoulou Joins Cinesite London

• VFX Supervisor Julian Hutchens at RSP Wins AACTA Visual Effects Award for ‘Elvis’

• Vicon Shōgun 1.3 Brings Real-Time Body Tracking Down to the Fingertips

• Videocraft Acquires Digistor and Adimex

• Videohouse Brings Subtitles in Line with PBT EU SubtitleNEXT

• Vine FX Creates Future Motion Graphics FX for AMC’s ‘Soulmates’

• Vine FX Shifts Time and Place with Authentic VFX for ‘The Serpent’

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