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• Lytro Cinema Brings Light Field Capture To Film & TV Production

• M2A Media and InSync Launch First Cloud-Based Live Frame Rate Converter

• Mac Pro Pushes Graphics Performance with New GPU Modules

• Magewell Pro Convert Decoders Support NDI|HX Streams Up to 4K

• Magewell’s 12G-SDI 4K Card Bridges 4K Transport Gap for Video

• Magic Bullet Suite 13 Automates & Accelerates Looks for Video

• Magna to Demonstrate IP Production and Cloud-Based Systems at Broadcast Asia

• Magnopus’ VR/AR Render Pipeline Gets Smarter on Deadline

• Making the Cloud Work Harder for Video Producers, Distributors and Consumers

• Making the Fibre Channel Connection for Video Workflows

• Making the Most of Unstructured Data – Resource, Liability, Opportunity

• Managing Media in the New Filmmaking Age

• Marcus Taormina Opens Up on Visual Effects in ‘Bird Box’

• Marcy Robinson Tells Reality’s Story in Colour on DaVinci Resolve

• Mari 4.6 Adds Geo-Channels and Procedural Nodes for Texture Workflows

• Mari 4.7 Adds New Procedural Workflows and Materials Controls

• Mari 5 Enhances Proceduralism and USD Look Development Workflows

• Mari 6.0 Makes Texturing Pipelines USD-ready, Adds Teleport Node

• Marquise Rushes to Advance HDR / IMF Mastering and Versioning at NAB

• Marquise Technologies Advances HDR Workflows and MPEG-H Audio Content

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