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• Masstech Kumulate Supports New Cloud Storage and Revenue Streams

• Masstech Tackles Federated Searching and Hybrid Cloud at Broadcast Asia

• Matrox Extio 3 Supports KVM-over-Internet for Remote Users

• Matthew Troughton on Mixing Up Creative, Technical and Business Magic

• Mavericks VFX Tells ‘The Handmaid’s Tale’ with Fire and Destruction

• MAX Post Keeps it Real for Original Productions with Cinedeck

• Maxine Gervais and Baselight X Take On Marvel's 'Black Panther'

• Maxine Gervais Creates the Look of a Miracle for 'Sully'

• Maxon and Red Giant to Merge for Content Creation

• MAXON One Brings Updates to Cinema 4D, Redshift and Red Giant Software

• Maxon One Integrates Redshift with ZBrush, Optimises Trapcode Particles

• Maxon One Updates Simulation, Volumes, Colour for Cinema 4D and Redshift

• Maxon Redshift Gains Support for OpenColorIO v2

• Maxon’s Imperfections Create Perfectly Photoreal 3D Surfaces

• Maya 2019 Speeds Playback and Look Development for Animators

• Maya 2020 and Arnold 6 Upgrade Animation, Bifrost and Arnold GPU

• Maya 2020.4 Extends Bifrost Across Content Creation Pipeline

• Media Workflow Storage Shifts Gear Toward Archive-as-a-Service

• Meeting the Demand for Localised Film, TV and Online Content

• mental ray for Maya Gains Interactive Viewport Rendering and GI

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