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  • NAB 2019 - Avid NEXIS | Cloudspaces Expands Storage on Demand in the Azure Cloud

  • National Film and Television School Upgrades Media Infrastructure on EditShare

  • NBA Kings, Quantum and CatDV Capture NBA History with StorNext Archive

  • Ncam and disguise Partner to Build Real Experiences in Virtual Worlds

  • Ncam Appoints Mike Ruddell as a New Director for Sports and Broadcast

  • Ncam Appoints Robin Shenfield as Chairman

  • Ncam Reality 2021 Supports Virtual Production for Film, Broadcast and Live

  • Ncam's On-set Pre-vis Cracks into 'The Nutcracker and the Four Realms'

  • NetApp and ATTO Address Latency and Fibre Channel in Media Workflows

  • Nevion Virtuoso Keeps Colours True for Remote Grading at a52 Color

  • New Holland Builds GPU-Based Pipeline on Thinkbox Deadline

  • New Wave Designs Sound for 'Orient Express' Campaign with Fairlight

  • Nexus Meets the Deadline for Customised VFX and Animation Pipeline

  • nhb Reaches New Locations and Workflows with Baselight

  • nhb studios Get on Track with NIM for Creative Commercials

  • Nick Dalby at UNIT Studios Tells Stories in Music and Colour

  • Nikon Adds intoPIX TicoRAW to New Cameras for Efficient RAW Recording

  • NIM 5.0 Helps Studios Track Performance as the Industry Goes Remote

  • NiTRo Post Builds 8K Editing Workflows on AJA KUMO 3232-12G Router

  • nobeo Adopts Facilis Shared Storage at TV/OTT Production Complex

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