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• IPV Curator Moves adidas Runtastic Video Team to Hybrid Workflows

• Ireland's TV3 Integrates Avid Graphics across Production and Playout

• Ireland’s TV3 Improves Programming Looks with Avid Studio Suite

• ITN Productions Moves Up to 12G-SDI on Blackmagic Infrastructure

• ITN Productions Speeds File-based Deliveries with cineXtools

• ITV Daytime and Kumulate Migrate Post and Archive Workflows to the Cloud

• ITV Preserves Digital Assets for the Future with Spectra Black Pearl

• Japanese Colourist and Australian DoP Build a Drama in Baselight

• Jay Walker Joins Impossible Objects for US Representation

• Jellyfish Pictures Appoints Paul Baaske as Head of Technical Direction

• Jellyfish Pictures Positions for Growth With New Leadership Team

• Jellyfish Pictures Shifts to All-Virtual for VFX and Animation

• Jellyfish Pictures Virtualises VFX Studios on PC-over-IP Infrastructure

• Jellyfish Welcomes Senior VFX Artists Nicolas Hernandez and Kevin Hoppe

• Jennifer Mendes Takes a Chance on Colour at Loudness Films

• Jérôme Cloutier Captures Filmmakers’ Vision in Colour

• Jigsaw24 Uses EditShare EFSv to Expand Via24 Cloud Media Services

• Jin Young Park Builds a Cold World of Colour for 'The Fortress'

• Jin-ho Park Communicates and Innovates with Colour

• Jogger Studios Blooms in London from Production to Colour

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