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• Lexhag VFX Builds Witness Camera Array with Blackmagic

• Light Iron Looks Ahead with New Post Services, Workflows and Staff

• Light Iron Powers New OTT Workflows with Creativity and Collaboration

• Light Iron Promotes Ethan Schwartz to Senior Colourist

• Light Iron Strengthens its Management Team with Two New Hires

• LightBender Post Designs Colour Workflow for Netflix Series ‘Mo’ on Mistika

• Luke Morrison Colours the World from The Mill Chicago

• Luma Pictures Scales Up with AWS Cloud-based VFX Pipelines

• Luma Pictures Sets the Pace on Final Fantasy XV Cinematic

• Luma Pictures Takes ‘Shang-Chi’ on a Wild Ride

• LUMIX S5IIX / S5II Support High Bit-Rate Video Options and Phase Hybrid AF

• LWKS Acquires Lightworks NLE and QScan AQC for Future Development

• LWKS QScan 2021 Adds HDR Measurements for Media Compliance

• Lytro Cinema Brings Light Field Capture To Film & TV Production

• M2A Media and InSync Launch First Cloud-Based Live Frame Rate Converter

• Mac Pro Pushes Graphics Performance with New GPU Modules

• Magewell Pro Convert Decoders Support NDI|HX Streams Up to 4K

• Magewell’s 12G-SDI 4K Card Bridges 4K Transport Gap for Video

• Magic Bullet Suite 13 Automates & Accelerates Looks for Video

• Magnopus’ VR/AR Render Pipeline Gets Smarter on Deadline

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